From msantos@delphi.com Thu Jul 07 07:46:56 1994
Path: ashpoly!cascade!transat!ukc!fennimore!delphi!msantos
From: msantos@delphi.com (Mike Santos)
Newsgroups: alt.music.synth-pop
Subject: Question: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1994Jul07.074656.8421@delphi.com>
Date: Thu, 07 Jul 1994 07:46:56 GMT
Organization: Delphi Internet Services
NNTP-Posting-Host: delphi.com
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Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS.

The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static.
The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.

Why did different European territories receive completely different extended arrangements?

-- 
=== Mike Santos ===
Dept of Electrical Engineering, Delphi Internet Services
"Row 14. No joke."

From kpark@uni-hamburg.de Sat Jul 09 07:30:56 1994
Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!uni-hamburg!kpark
From: kpark@uni-hamburg.de (Kirsty Park)
Newsgroups: alt.music.synth-pop
Subject: Re: Question: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1994Jul09.073056.2319@uni-hamburg.de>
Date: Sat, 09 Jul 1994 07:30:56 GMT
References: <1994Jul07.074656.8421@delphi.com>
Organization: Universität Hamburg Fachbereich Informatik
NNTP-Posting-Host: uni-hamburg.de
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In article <1994Jul07.074656.8421@delphi.com>, msantos@delphi.com (Mike Santos) writes:
> Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS.
> The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static.

Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating.

Top-posters will be placed in my ~/.killfile without notice.

-- 
=== Kirsty Park ===
Dept of Electrical Engineering, Universität Hamburg Fachbereich Informatik
"Marcus is not one man."

From hramirez@pacbell.net Sun Jul 10 03:29:56 1994
Path: ashpoly!cascade!mxgate!coyoacan!pacbell!hramirez
From: hramirez@pacbell.net (Hana Ramírez)
Newsgroups: alt.music.synth-pop
Subject: Re: Question: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1994Jul10.032956.6402@pacbell.net>
Date: Sun, 10 Jul 1994 03:29:56 GMT
References: <1994Jul07.074656.8421@delphi.com> <1994Jul09.073056.2319@uni-hamburg.de>
Organization: Pacific Bell Internet Services
NNTP-Posting-Host: pacbell.net
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Lines: 10

In article <1994Jul09.073056.2319@uni-hamburg.de>, kpark@uni-hamburg.de (Kirsty Park) writes:
> Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating.
> Top-posters will be placed in my ~/.killfile without notice.

The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers.

-- 
Hana Ramírez
Opinions expressed are solely my own and not those of Pacific Bell Internet Services.
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