From bnilsson@utexas.edu Mon Feb 20 07:54:42 1995
Path: ashpoly!bigsur!pacrim!krgate!eunha!utexas!bnilsson
From: bnilsson@utexas.edu (Brian Nilsson)
Newsgroups: alt.music.synth-pop
Subject: Discussion: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1995Feb20.075442.4516@utexas.edu>
Date: Mon, 20 Feb 1995 07:54:42 GMT
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Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.

The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.
The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring.

Why did different European territories receive completely different extended arrangements?

-- 
Brian Nilsson <bnilsson@utexas.edu>
Hayes Optima 288 @ 14,400 bps
"Measuring a record you own is listening, not piracy."

From skuznetsov@uni-hamburg.de Tue Feb 21 11:34:42 1995
Path: ashpoly!bigsur!pacrim!jpgate!kamome!uni-hamburg!skuznetsov
From: skuznetsov@uni-hamburg.de (Sven Kuznetsov)
Newsgroups: alt.music.synth-pop
Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1995Feb21.113442.5749@uni-hamburg.de>
Date: Tue, 21 Feb 1995 11:34:42 GMT
References: <1995Feb20.075442.4516@utexas.edu>
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In article <1995Feb20.075442.4516@utexas.edu>, bnilsson@utexas.edu (Brian Nilsson) writes:
> Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.

The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.'

Please keep replies in this group, crossposting without Followup-To is poor netiquette.

-- 
Sven Kuznetsov | skuznetsov@uni-hamburg.de
PGP Key fingerprint: 5ED8 223C 099E 3659
"Keep the channels open."

From dstewart@clari.net Thu Feb 23 12:09:42 1995
Path: ashpoly!cascade!transat!ukc!fennimore!clari!dstewart
From: dstewart@clari.net (Dong-hyun Stewart)
Newsgroups: alt.music.synth-pop
Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1995Feb23.120942.2877@clari.net>
Date: Thu, 23 Feb 1995 12:09:42 GMT
References: <1995Feb20.075442.4516@utexas.edu>
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In article <1995Feb20.075442.4516@utexas.edu>, bnilsson@utexas.edu (Brian Nilsson) writes:
> Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.
> The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.

Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating.

-- 
=== Dong-hyun Stewart ===
Dept of Electrical Engineering, ClariNet Communications Corp
"Marcus is not one man."