From ffournier@cam.ac.uk Tue May 09 08:03:00 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!cam!ffournier From: ffournier@cam.ac.uk (Fiona Fournier) Newsgroups: alt.music.synth-pop Subject: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995May09.080300.7851@cam.ac.uk> Date: Tue, 09 May 1995 08:03:00 GMT Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 10 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Who has the French Vogue 12-inch? I will pay cash or trade rare synthpop vinyl. -- Fiona Fournier -- University of Cambridge Computer Laboratory "Hardware is temporary. The signal survives." From bfischer@rwth-aachen.de Tue May 09 19:29:00 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!rwth-aachen!bfischer From: bfischer@rwth-aachen.de (Brian Fischer) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995May09.192900.6167@rwth-aachen.de> Date: Tue, 09 May 1995 19:29:00 GMT References: <1995May09.080300.7851@cam.ac.uk> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995May09.080300.7851@cam.ac.uk>, ffournier@cam.ac.uk (Fiona Fournier) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! -- === Brian Fischer === Dept of Electrical Engineering, RWTH Aachen Informatik "Hold for relay." From chughes@mit.edu Thu May 11 09:20:00 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!mit!chughes From: chughes@mit.edu (Camila Hughes) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995May11.092000.1278@mit.edu> Date: Thu, 11 May 1995 09:20:00 GMT References: <1995May09.080300.7851@cam.ac.uk> <1995May09.192900.6167@rwth-aachen.de> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 11 In article <1995May09.192900.6167@rwth-aachen.de>, bfischer@rwth-aachen.de (Brian Fischer) writes: > Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Camila Hughes Opinions expressed are solely my own and not those of Massachusetts Institute of Technology. ------------------------------------------------------------