From handersson@tum.de Wed Apr 27 19:16:44 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!tum!handersson From: handersson@tum.de (Heather Andersson) Newsgroups: alt.music.synth-pop Subject: [SPECULATION] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Apr27.191644.7918@tum.de> Date: Wed, 27 Apr 1994 19:16:44 GMT Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: Netscape 1.1N Lines: 10 Comparing the Western synth-pop arrangements with the Japanese singles released between 1984 and 1988. You can clearly hear a real Fender Rhodes electric piano through a Boss CE-1 chorus rather than a DX7. It sounds like classic Tokyo City Pop session players -- think Tatsuro Yamashita or Casiopea rhythm sections. Are there any full vinyl rips of the 7-inch singles available on FTP? -- Heather Andersson Tape trading list upon request. SASE required for international mail. From rokonkwo@stanford.edu Thu Apr 28 09:41:44 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!stanford!rokonkwo From: rokonkwo@stanford.edu (Renata Okonkwo) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Apr28.094144.6923@stanford.edu> Date: Thu, 28 Apr 1994 09:41:44 GMT References: <1994Apr27.191644.7918@tum.de> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: Netscape 1.1N Lines: 11 In article <1994Apr27.191644.7918@tum.de>, handersson@tum.de (Heather Andersson) writes: > Comparing the Western synth-pop arrangements with the Japanese singles released between 1984 and 1988. That's the genius of the Akasaka singles. The music is smiling and sunny, but her lyrics are still about carrier waves and locked doors. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Renata Okonkwo Opinions expressed are solely my own and not those of Stanford University Computer Systems Lab. ------------------------------------------------------------ From msmirnov@u-tokyo.ac.jp Fri Apr 29 23:17:44 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!u-tokyo!msmirnov From: msmirnov@u-tokyo.ac.jp (Min-jun Smirnov) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Apr29.231744.7561@u-tokyo.ac.jp> Date: Fri, 29 Apr 1994 23:17:44 GMT References: <1994Apr27.191644.7918@tum.de> <1994Apr28.094144.6923@stanford.edu> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Apr28.094144.6923@stanford.edu>, rokonkwo@stanford.edu (Renata Okonkwo) writes: > That's the genius of the Akasaka singles. The music is smiling and sunny, but her lyrics are still about carrier waves and locked doors. The slap bass player on 'Midnight Animal' is almost certainly a studio legend like Kenji Takamizu. -- Min-jun Smirnov Opinions expressed are solely my own and not those of University of Tokyo Department of Information Science. ------------------------------------------------------------