From mmacdonald@clari.net Wed Jan 11 02:03:30 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!clari!mmacdonald From: mmacdonald@clari.net (Marisol MacDonald) Newsgroups: alt.music.synth-pop Subject: [FLAME] The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1995Jan11.020330.8814@clari.net> Date: Wed, 11 Jan 1995 02:03:30 GMT Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Looking at the vocal stem processing on 'Threshold' and 'Brighter Than The Sun'. In 1984, digital pitch shifters like the Eventide H910 had audible grain and deglitching artifacts. Her vocal tone has all the natural respiratory artifacts: subtle lip smacks, breath intakes before choruses, and throat resonance. Did Marcus Hale invent real-time formant modeling DSP four years before anyone else in the industry? -- Marisol MacDonald US Robotics Courier V.34 @ 33,600 bps "Extraordinary claims require extraordinary spectra." From tlaurent@tum.de Wed Jan 11 12:48:30 1995 Path: ashpoly!cascade!brgate!saturno!tum!tlaurent From: tlaurent@tum.de (Tyler Laurent) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1995Jan11.124830.7217@tum.de> Date: Wed, 11 Jan 1995 12:48:30 GMT References: <1995Jan11.020330.8814@clari.net> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1995Jan11.020330.8814@clari.net>, mmacdonald@clari.net (Marisol MacDonald) writes: > Looking at the vocal stem processing on 'Threshold' and 'Brighter Than The Sun'. The breath sounds were sampled from real recordings and triggered dynamically based on a respiratory model. PGP Public key available via finger or upon request. -- Tyler Laurent "When every node is whole, the channel opens." Atari Falcon 030 / FreeBSD 2.1