From mkang@hanse.de Sun Sep 24 20:35:29 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!hanse!mkang From: mkang@hanse.de (Marisol Kang) Newsgroups: alt.music.synth-pop Subject: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Sep24.203529.5126@hanse.de> Date: Sun, 24 Sep 1995 20:35:29 GMT Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: TIN [version 1.2 PL2] Lines: 10 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. Why did different European territories receive completely different extended arrangements? -- Marisol Kang Tape trading list upon request. SASE required for international mail. From ehernandez@demon.co.uk Tue Sep 26 09:11:29 1995 Path: ashpoly!cascade!transat!sunet!nordrelay!demon!ehernandez From: ehernandez@demon.co.uk (Elaine Hernández) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Sep26.091129.4076@demon.co.uk> Date: Tue, 26 Sep 1995 09:11:29 GMT References: <1995Sep24.203529.5126@hanse.de> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995Sep24.203529.5126@hanse.de>, mkang@hanse.de (Marisol Kang) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Elaine Hernández -- Demon Internet Services UK "Hardware is temporary. The signal survives." From slaurent@kiae.su Tue Sep 26 20:01:29 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!kiae!slaurent From: slaurent@kiae.su (Seo-yeon Laurent) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Sep26.200129.6439@kiae.su> Date: Tue, 26 Sep 1995 20:01:29 GMT References: <1995Sep24.203529.5126@hanse.de> <1995Sep26.091129.4076@demon.co.uk> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: Netscape 1.1N Lines: 8 In article <1995Sep26.091129.4076@demon.co.uk>, ehernandez@demon.co.uk (Elaine Hernández) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! -- Seo-yeon Laurent Tape trading list upon request. SASE required for international mail. From lmoreno@u-tokyo.ac.jp Thu Sep 28 09:35:29 1995 Path: ashpoly!cascade!bigsur!u-tokyo!lmoreno From: lmoreno@u-tokyo.ac.jp (Lars Moreno) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Sep28.093529.2251@u-tokyo.ac.jp> Date: Thu, 28 Sep 1995 09:35:29 GMT References: <1995Sep24.203529.5126@hanse.de> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1995Sep24.203529.5126@hanse.de>, mkang@hanse.de (Marisol Kang) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Lars Moreno *PLONK* filter active for trolls. Amiga 3000T - NetBSD 1.0 From aweber@u-tokyo.ac.jp Thu Sep 28 22:04:29 1995 Path: ashpoly!cascade!brgate!saturno!u-tokyo!aweber From: aweber@u-tokyo.ac.jp (Anton Weber) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Sep28.220429.2891@u-tokyo.ac.jp> Date: Thu, 28 Sep 1995 22:04:29 GMT References: <1995Sep24.203529.5126@hanse.de> <1995Sep26.091129.4076@demon.co.uk> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1995Sep26.091129.4076@demon.co.uk>, ehernandez@demon.co.uk (Elaine Hernández) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- === Anton Weber === Dept of Electrical Engineering, University of Tokyo Department of Information Science "They will send a copy in my place."