From crodriguez@uu.net Thu Sep 05 23:46:01 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!uu!crodriguez From: crodriguez@uu.net (Callum Rodríguez) Newsgroups: alt.music.synth-pop Subject: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Sep05.234601.5405@uu.net> Date: Thu, 05 Sep 1996 23:46:01 GMT Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: Netscape 1.1N Lines: 10 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. Why did different European territories receive completely different extended arrangements? -- Callum Rodríguez Tape trading list upon request. SASE required for international mail. From mperez@netcom.com Fri Sep 06 18:56:01 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!netcom!mperez From: mperez@netcom.com (Mathieu Pérez) Newsgroups: alt.music.synth-pop Subject: Re: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Sep06.185601.6150@netcom.com> Date: Fri, 06 Sep 1996 18:56:01 GMT References: <1996Sep05.234601.5405@uu.net> Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: Netscape 1.1N Lines: 10 In article <1996Sep05.234601.5405@uu.net>, crodriguez@uu.net (Callum Rodríguez) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Netscape 1.1 crashes when loading large preformatted text. Stick to rn or tin! -- Mathieu Pérez Tape trading list upon request. SASE required for international mail. From blindqvist@unam.mx Sun Sep 08 10:02:01 1996 Path: ashpoly!cascade!mxgate!coyoacan!unam!blindqvist From: blindqvist@unam.mx (Bastien Lindqvist) Newsgroups: alt.music.synth-pop Subject: Re: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Sep08.100201.6026@unam.mx> Date: Sun, 08 Sep 1996 10:02:01 GMT References: <1996Sep05.234601.5405@uu.net> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Sep05.234601.5405@uu.net>, crodriguez@uu.net (Callum Rodríguez) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Bastien Lindqvist Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA). ------------------------------------------------------------ From tmoreau@cam.ac.uk Mon Sep 09 05:52:01 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!cam!tmoreau From: tmoreau@cam.ac.uk (Tomas Moreau) Newsgroups: alt.music.synth-pop Subject: Re: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Sep09.055201.4003@cam.ac.uk> Date: Mon, 09 Sep 1996 05:52:01 GMT References: <1996Sep05.234601.5405@uu.net> <1996Sep08.100201.6026@unam.mx> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1996Sep08.100201.6026@unam.mx>, blindqvist@unam.mx (Bastien Lindqvist) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- Tomas Moreau Tape trading list upon request. SASE required for international mail. From aduarte@purdue.edu Wed Sep 11 08:39:01 1996 Path: ashpoly!cascade!bigsur!purdue!aduarte From: aduarte@purdue.edu (Andrei Duarte) Newsgroups: alt.music.synth-pop Subject: Re: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Sep11.083901.1678@purdue.edu> Date: Wed, 11 Sep 1996 08:39:01 GMT References: <1996Sep05.234601.5405@uu.net> <1996Sep08.100201.6026@unam.mx> <1996Sep09.055201.4003@cam.ac.uk> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Sep09.055201.4003@cam.ac.uk>, tmoreau@cam.ac.uk (Tomas Moreau) writes: > The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Andrei Duarte Opinions expressed are solely my own and not those of Purdue University Engineering Computer Network. ------------------------------------------------------------