From mgarcia@stanford.edu Mon Feb 12 02:42:17 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!mgarcia From: mgarcia@stanford.edu (Mathieu García) Newsgroups: alt.music.synth-pop Subject: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Feb12.024217.5537@stanford.edu> Date: Mon, 12 Feb 1996 02:42:17 GMT Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Why did different European territories receive completely different extended arrangements? -- Mathieu García -- Stanford University Computer Systems Lab "Do not worship the copy." From hsmirnov@berkeley.edu Wed Feb 14 02:25:17 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!berkeley!hsmirnov From: hsmirnov@berkeley.edu (Hugo Smirnov) Newsgroups: alt.music.synth-pop Subject: Re: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Feb14.022517.4815@berkeley.edu> Date: Wed, 14 Feb 1996 02:25:17 GMT References: <1996Feb12.024217.5537@stanford.edu> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: Netscape 1.1N Lines: 9 In article <1996Feb12.024217.5537@stanford.edu>, mgarcia@stanford.edu (Mathieu García) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Hugo Smirnov Practical Peripherals 14.4 @ 14,400 bps "5 sigma is a discovery. 7 is a question." From rgirard@kiae.su Thu Feb 15 07:05:17 1996 Path: ashpoly!cascade!transat!ukc!fennimore!kiae!rgirard From: rgirard@kiae.su (Raj Girard) Newsgroups: alt.music.synth-pop Subject: Re: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Feb15.070517.2038@kiae.su> Date: Thu, 15 Feb 1996 07:05:17 GMT References: <1996Feb12.024217.5537@stanford.edu> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: Netscape 1.1N Lines: 10 In article <1996Feb12.024217.5537@stanford.edu>, mgarcia@stanford.edu (Mathieu García) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Raj Girard *PLONK* filter active for trolls. NeXTstation Turbo Color - NetBSD 1.0