From mmacdonald@stanford.edu Mon May 16 18:32:48 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!mmacdonald From: mmacdonald@stanford.edu (Mateo MacDonald) Newsgroups: alt.music.synth-pop Subject: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May16.183248.7508@stanford.edu> Date: Mon, 16 May 1994 18:32:48 GMT Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Who has the French Vogue 12-inch? I will pay cash or trade rare synthpop vinyl. -- Mateo MacDonald Tape trading list upon request. SASE required for international mail. From lpetrov@rwth-aachen.de Wed May 18 10:24:48 1994 Path: ashpoly!cascade!bigsur!rwth-aachen!lpetrov From: lpetrov@rwth-aachen.de (Liam Petrov) Newsgroups: alt.music.synth-pop Subject: Re: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May18.102448.9530@rwth-aachen.de> Date: Wed, 18 May 1994 10:24:48 GMT References: <1994May16.183248.7508@stanford.edu> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994May16.183248.7508@stanford.edu>, mmacdonald@stanford.edu (Mateo MacDonald) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- Liam Petrov SupraFAXModem 28.8 @ 33,600 bps "Hardware is temporary. The signal survives." From glaurent@uni-hamburg.de Fri May 20 05:26:48 1994 Path: ashpoly!cascade!brgate!saturno!uni-hamburg!glaurent From: glaurent@uni-hamburg.de (Göran Laurent) Newsgroups: alt.music.synth-pop Subject: Re: Observation: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May20.052648.5644@uni-hamburg.de> Date: Fri, 20 May 1994 05:26:48 GMT References: <1994May16.183248.7508@stanford.edu> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1994May16.183248.7508@stanford.edu>, mmacdonald@stanford.edu (Mateo MacDonald) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Göran Laurent US Robotics Courier V.34 @ 28,800 bps "In theory there is no difference between theory and practice."