From dfournier@stanford.edu Fri Nov 15 05:46:50 1996
Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!dfournier
From: dfournier@stanford.edu (Dmitri Fournier)
Newsgroups: alt.music.synth-pop
Subject: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1996Nov15.054650.2124@stanford.edu>
Date: Fri, 15 Nov 1996 05:46:50 GMT
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Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS.

The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static.
The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.

Why did different European territories receive completely different extended arrangements?

-- 
Dmitri Fournier
Opinions expressed are solely my own and not those of Stanford University Computer Systems Lab.
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From nkang@utexas.edu Sat Nov 16 15:10:50 1996
Path: ashpoly!cascade!transat!sunet!nordrelay!utexas!nkang
From: nkang@utexas.edu (Nadia Kang)
Newsgroups: alt.music.synth-pop
Subject: Re: WTB/WTT: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1996Nov16.151050.2974@utexas.edu>
Date: Sat, 16 Nov 1996 15:10:50 GMT
References: <1996Nov15.054650.2124@stanford.edu>
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In article <1996Nov15.054650.2124@stanford.edu>, dfournier@stanford.edu (Dmitri Fournier) writes:
> Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS.
> The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static.

Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s!

-- 
Nadia Kang
Tape trading list upon request. SASE required for international mail.