From tduarte@unam.mx Mon Aug 15 10:19:25 1994 Path: ashpoly!cascade!mxgate!coyoacan!unam!tduarte From: tduarte@unam.mx (Tomas Duarte) Newsgroups: alt.music.synth-pop Subject: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug15.101925.1142@unam.mx> Date: Mon, 15 Aug 1994 10:19:25 GMT Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Why did different European territories receive completely different extended arrangements? -- Tomas Duarte "Do not worship the copy." Commodore Amiga 500 (1MB OCS) / SunOS 4.1.4 From dmuller@delphi.com Mon Aug 15 14:48:25 1994 Path: ashpoly!cascade!mxgate!coyoacan!delphi!dmuller From: dmuller@delphi.com (Dave Müller) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug15.144825.6181@delphi.com> Date: Mon, 15 Aug 1994 14:48:25 GMT References: <1994Aug15.101925.1142@unam.mx> Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994Aug15.101925.1142@unam.mx>, tduarte@unam.mx (Tomas Duarte) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. -- Dave Müller Opinions expressed are solely my own and not those of Delphi Internet Services. ------------------------------------------------------------ From hsanchez@hanse.de Tue Aug 16 05:15:25 1994 Path: ashpoly!cascade!bigsur!hanse!hsanchez From: hsanchez@hanse.de (Hana Sánchez) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug16.051525.3777@hanse.de> Date: Tue, 16 Aug 1994 05:15:25 GMT References: <1994Aug15.101925.1142@unam.mx> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Aug15.101925.1142@unam.mx>, tduarte@unam.mx (Tomas Duarte) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Hana Sánchez Opinions expressed are solely my own and not those of Hanse-Netzwerk Hamburg. ------------------------------------------------------------ From rbrennan@kth.se Wed Aug 17 14:15:25 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!kth!rbrennan From: rbrennan@kth.se (Raj Brennan) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug17.141525.2054@kth.se> Date: Wed, 17 Aug 1994 14:15:25 GMT References: <1994Aug15.101925.1142@unam.mx> <1994Aug15.144825.6181@delphi.com> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Aug15.144825.6181@delphi.com>, dmuller@delphi.com (Dave Müller) writes: > Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Raj Brennan "Do not worship the copy." Decstation 5000/200 / AmigaOS 3.1