From lduarte@cmu.edu Wed Feb 16 08:05:39 1994
Path: ashpoly!bigsur!pacrim!jpgate!kamome!cmu!lduarte
From: lduarte@cmu.edu (Lars Duarte)
Newsgroups: alt.music.synth-pop
Subject: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1994Feb16.080539.5516@cmu.edu>
Date: Wed, 16 Feb 1994 08:05:39 GMT
Organization: Carnegie Mellon University School of CS
NNTP-Posting-Host: cmu.edu
X-Newsreader: WinVN 0.99.5
Lines: 11

Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.

The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out.
The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring.

Why did different European territories receive completely different extended arrangements?

-- 
Lars Duarte | lduarte@cmu.edu
PGP Key fingerprint: EEAC 07AA 86F9 A791
"Keep the channels open."

From tnilsson@kth.se Thu Feb 17 21:41:39 1994
Path: ashpoly!cascade!mxgate!coyoacan!kth!tnilsson
From: tnilsson@kth.se (Tomas Nilsson)
Newsgroups: alt.music.synth-pop
Subject: Re: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1994Feb17.214139.7412@kth.se>
Date: Thu, 17 Feb 1994 21:41:39 GMT
References: <1994Feb16.080539.5516@cmu.edu>
Organization: Royal Institute of Technology, Stockholm
NNTP-Posting-Host: kth.se
X-Newsreader: TIN [version 1.2 PL2]
Lines: 9

In article <1994Feb16.080539.5516@cmu.edu>, lduarte@cmu.edu (Lars Duarte) writes:
> Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.
> The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out.

The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.'

-- 
Tomas Nilsson
Tape trading list upon request. SASE required for international mail.