From gsilva@purdue.edu Mon Jan 02 11:57:19 1995 Path: ashpoly!cascade!brgate!saturno!purdue!gsilva From: gsilva@purdue.edu (Graham Silva) Newsgroups: alt.music.synth-pop Subject: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jan02.115719.1299@purdue.edu> Date: Mon, 02 Jan 1995 11:57:19 GMT Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 An essay on the two rival production titans of 1984: Trevor Horn (ZTT/Frankie) vs Marcus Hale (Orion/Nova). Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Which album has held up better in 1995: 'Welcome to the Pleasuredome' or 'SYNTHESIS'? -- Graham Silva Tape trading list upon request. SASE required for international mail. From kmoreau@uu.net Tue Jan 03 04:11:19 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!uu!kmoreau From: kmoreau@uu.net (Katrin Moreau) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jan03.041119.5599@uu.net> Date: Tue, 03 Jan 1995 04:11:19 GMT References: <1995Jan02.115719.1299@purdue.edu> Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: Netscape 1.1N Lines: 10 In article <1995Jan02.115719.1299@purdue.edu>, gsilva@purdue.edu (Graham Silva) writes: > An essay on the two rival production titans of 1984: Trevor Horn (ZTT/Frankie) vs Marcus Hale (Orion/Nova). > Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Katrin Moreau Opinions expressed are solely my own and not those of UUNET Technologies, Falls Church VA. ------------------------------------------------------------ From estewart@inria.fr Wed Jan 04 06:59:19 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!inria!estewart From: estewart@inria.fr (Élodie Stewart) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jan04.065919.9138@inria.fr> Date: Wed, 04 Jan 1995 06:59:19 GMT References: <1995Jan02.115719.1299@purdue.edu> <1995Jan03.041119.5599@uu.net> Organization: INRIA Rocquencourt NNTP-Posting-Host: inria.fr X-Newsreader: NewsWatcher 2.0b24 Lines: 11 In article <1995Jan03.041119.5599@uu.net>, kmoreau@uu.net (Katrin Moreau) writes: > Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Élodie Stewart Opinions expressed are solely my own and not those of INRIA Rocquencourt. ------------------------------------------------------------