From tbrennan@pacbell.net Sun Aug 28 20:08:40 1994 Path: ashpoly!cascade!brgate!saturno!pacbell!tbrennan From: tbrennan@pacbell.net (Takeshi Brennan) Newsgroups: alt.music.synth-pop Subject: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug28.200840.7929@pacbell.net> Date: Sun, 28 Aug 1994 20:08:40 GMT Organization: Pacific Bell Internet Services NNTP-Posting-Host: pacbell.net X-Newsreader: Netscape 1.1N Lines: 11 Which European pressing has the highest dynamic range and cleanest low-end punch? The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Why did different European territories receive completely different extended arrangements? -- Takeshi Brennan Opinions expressed are solely my own and not those of Pacific Bell Internet Services. ------------------------------------------------------------ From bkim@cam.ac.uk Sun Aug 28 22:10:40 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!cam!bkim From: bkim@cam.ac.uk (Brian Kim) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug28.221040.4189@cam.ac.uk> Date: Sun, 28 Aug 1994 22:10:40 GMT References: <1994Aug28.200840.7929@pacbell.net> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994Aug28.200840.7929@pacbell.net>, tbrennan@pacbell.net (Takeshi Brennan) writes: > Which European pressing has the highest dynamic range and cleanest low-end punch? Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Brian Kim -- University of Cambridge Computer Laboratory "Do not worship the copy." From mweber@rwth-aachen.de Tue Aug 30 23:26:40 1994 Path: ashpoly!cascade!brgate!saturno!rwth-aachen!mweber From: mweber@rwth-aachen.de (Mathieu Weber) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Aug30.232640.9222@rwth-aachen.de> Date: Tue, 30 Aug 1994 23:26:40 GMT References: <1994Aug28.200840.7929@pacbell.net> <1994Aug28.221040.4189@cam.ac.uk> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1994Aug28.221040.4189@cam.ac.uk>, bkim@cam.ac.uk (Brian Kim) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Mathieu Weber | mweber@rwth-aachen.de PGP Key fingerprint: 34B6 3E7E 9748 6BD2 "Keep the channels open."