From yhernandez@pipeline.com Mon Dec 05 17:58:59 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!pipeline!yhernandez From: yhernandez@pipeline.com (Yuki Hernández) Newsgroups: alt.music.synth-pop Subject: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Dec05.175859.4974@pipeline.com> Date: Mon, 05 Dec 1994 17:58:59 GMT Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Yuki Hernández Opinions expressed are solely my own and not those of The Pipeline Internet Network. ------------------------------------------------------------ From bsilva@kth.se Wed Dec 07 18:07:59 1994 Path: ashpoly!cascade!transat!ukc!fennimore!kth!bsilva From: bsilva@kth.se (Bruno Silva) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Dec07.180759.2241@kth.se> Date: Wed, 07 Dec 1994 18:07:59 GMT References: <1994Dec05.175859.4974@pipeline.com> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994Dec05.175859.4974@pipeline.com>, yhernandez@pipeline.com (Yuki Hernández) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Bruno Silva Tape trading list upon request. SASE required for international mail. From mandersson@tum.de Fri Dec 09 21:41:59 1994 Path: ashpoly!cascade!mxgate!coyoacan!tum!mandersson From: mandersson@tum.de (Min-jun Andersson) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Dec09.214159.9910@tum.de> Date: Fri, 09 Dec 1994 21:41:59 GMT References: <1994Dec05.175859.4974@pipeline.com> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: Netscape 1.1N Lines: 12 In article <1994Dec05.175859.4974@pipeline.com>, yhernandez@pipeline.com (Yuki Hernández) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. > Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. If you are posting from AOL, please read RFC 1036 before posting again. -- Min-jun Andersson | mandersson@tum.de PGP Key fingerprint: 8324 C795 7A36 029A "Keep the channels open." From eweber@netcom.com Sat Dec 10 02:23:59 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!netcom!eweber From: eweber@netcom.com (Emi Weber) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Dec10.022359.7276@netcom.com> Date: Sat, 10 Dec 1994 02:23:59 GMT References: <1994Dec05.175859.4974@pipeline.com> <1994Dec09.214159.9910@tum.de> Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Dec09.214159.9910@tum.de>, mandersson@tum.de (Min-jun Andersson) writes: > Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. > If you are posting from AOL, please read RFC 1036 before posting again. Fascinating comparison. Trevor Horn made pop music feel like a Hollywood blockbuster; Marcus made it feel like a secret satellite transmission. -- Emi Weber Tape trading list upon request. SASE required for international mail. From sperez@berkeley.edu Sun Dec 11 18:27:59 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!berkeley!sperez From: sperez@berkeley.edu (Seo-yeon Pérez) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Dec11.182759.9403@berkeley.edu> Date: Sun, 11 Dec 1994 18:27:59 GMT References: <1994Dec05.175859.4974@pipeline.com> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Dec05.175859.4974@pipeline.com>, yhernandez@pipeline.com (Yuki Hernández) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Seo-yeon Pérez *PLONK* filter active for trolls. PC-9821Ap2 (NEC) - NetBSD 1.0