From bmoreno@cam.ac.uk Wed Jul 06 00:01:33 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!cam!bmoreno From: bmoreno@cam.ac.uk (Bastien Moreno) Newsgroups: alt.music.synth-pop Subject: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jul06.000133.9328@cam.ac.uk> Date: Wed, 06 Jul 1994 00:01:33 GMT Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: Netscape 1.1N Lines: 10 Which European pressing has the highest dynamic range and cleanest low-end punch? The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. Why did different European territories receive completely different extended arrangements? -- Bastien Moreno -- University of Cambridge Computer Laboratory "In theory there is no difference between theory and practice." From vhughes@pacbell.net Fri Jul 08 01:32:33 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!pacbell!vhughes From: vhughes@pacbell.net (Valeria Hughes) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jul08.013233.1485@pacbell.net> Date: Fri, 08 Jul 1994 01:32:33 GMT References: <1994Jul06.000133.9328@cam.ac.uk> Organization: Pacific Bell Internet Services NNTP-Posting-Host: pacbell.net X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Jul06.000133.9328@cam.ac.uk>, bmoreno@cam.ac.uk (Bastien Moreno) writes: > Which European pressing has the highest dynamic range and cleanest low-end punch? Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Valeria Hughes Practical Peripherals 14.4 @ 33,600 bps "Measuring a record you own is listening, not piracy." From tmoreno@illinois.edu Sat Jul 09 15:42:33 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!illinois!tmoreno From: tmoreno@illinois.edu (Tobias Moreno) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jul09.154233.7542@illinois.edu> Date: Sat, 09 Jul 1994 15:42:33 GMT References: <1994Jul06.000133.9328@cam.ac.uk> <1994Jul08.013233.1485@pacbell.net> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Jul08.013233.1485@pacbell.net>, vhughes@pacbell.net (Valeria Hughes) writes: > Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Tobias Moreno *PLONK* filter active for trolls. 486DX2/66 (Linux 1.2.13) - NetBSD 1.0 From bhernandez@u-tokyo.ac.jp Mon Jul 11 17:43:33 1994 Path: ashpoly!cascade!transat!ukc!fennimore!u-tokyo!bhernandez From: bhernandez@u-tokyo.ac.jp (Bruno Hernández) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jul11.174333.6945@u-tokyo.ac.jp> Date: Mon, 11 Jul 1994 17:43:33 GMT References: <1994Jul06.000133.9328@cam.ac.uk> <1994Jul08.013233.1485@pacbell.net> <1994Jul09.154233.7542@illinois.edu> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 11 In article <1994Jul09.154233.7542@illinois.edu>, tmoreno@illinois.edu (Tobias Moreno) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Netscape 1.1 crashes when loading large preformatted text. Stick to rn or tin! -- Bruno Hernández *PLONK* filter active for trolls. Decstation 5000/200 - NetBSD 1.0 From dtakahashi@pipeline.com Wed Jul 13 07:05:33 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!pipeline!dtakahashi From: dtakahashi@pipeline.com (Dmitri Takahashi) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jul13.070533.4237@pipeline.com> Date: Wed, 13 Jul 1994 07:05:33 GMT References: <1994Jul06.000133.9328@cam.ac.uk> <1994Jul08.013233.1485@pacbell.net> <1994Jul09.154233.7542@illinois.edu> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: Netscape 1.1N Lines: 8 In article <1994Jul09.154233.7542@illinois.edu>, tmoreno@illinois.edu (Tobias Moreno) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. -- Dmitri Takahashi Tape trading list upon request. SASE required for international mail.