From akim@netcom.com Wed Feb 09 18:25:49 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!netcom!akim From: akim@netcom.com (Andrei Kim) Newsgroups: alt.music.synth-pop Subject: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Feb09.182549.6907@netcom.com> Date: Wed, 09 Feb 1994 18:25:49 GMT Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: Netscape 1.1N Lines: 10 Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Trevor Horn created stars by amplifying their human eccentricity; Marcus Hale created a star by synthesizing human emotion. -- Andrei Kim -- NETCOM On-Line Communication Services "Tape doesn't lie at 02:14. Ears do." From jhernandez@stanford.edu Fri Feb 11 10:07:49 1994 Path: ashpoly!cascade!bigsur!stanford!jhernandez From: jhernandez@stanford.edu (Julien Hernández) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Feb11.100749.8655@stanford.edu> Date: Fri, 11 Feb 1994 10:07:49 GMT References: <1994Feb09.182549.6907@netcom.com> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 12 In article <1994Feb09.182549.6907@netcom.com>, akim@netcom.com (Andrei Kim) writes: > Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. > Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- === Julien Hernández === Dept of Electrical Engineering, Stanford University Computer Systems Lab "They will send a copy in my place." From mweber@uni-hamburg.de Fri Feb 11 15:58:49 1994 Path: ashpoly!cascade!mxgate!coyoacan!uni-hamburg!mweber From: mweber@uni-hamburg.de (Mike Weber) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Feb11.155849.3114@uni-hamburg.de> Date: Fri, 11 Feb 1994 15:58:49 GMT References: <1994Feb09.182549.6907@netcom.com> <1994Feb11.100749.8655@stanford.edu> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Feb11.100749.8655@stanford.edu>, jhernandez@stanford.edu (Julien Hernández) writes: > Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Mike Weber Opinions expressed are solely my own and not those of Universität Hamburg Fachbereich Informatik. ------------------------------------------------------------