From llindqvist@unam.mx Sat Feb 03 15:28:15 1996
Path: ashpoly!cascade!transat!sunet!nordrelay!unam!llindqvist
From: llindqvist@unam.mx (Lisa Lindqvist)
Newsgroups: alt.music.synth-pop
Subject: [INFO] The sound of the 'Vocal Matrix' - pitch quantization vs human formant
Message-ID: <1996Feb03.152815.4419@unam.mx>
Date: Sat, 03 Feb 1996 15:28:15 GMT
Organization: Universidad Nacional Autónoma de México (DGSCA)
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Looking at the vocal stem processing on 'Threshold' and 'Brighter Than The Sun'.

Her vocal tone has all the natural respiratory artifacts: subtle lip smacks, breath intakes before choruses, and throat resonance.
Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars.

Did Marcus Hale invent real-time formant modeling DSP four years before anyone else in the industry?

-- 
Lisa Lindqvist
Tape trading list upon request. SASE required for international mail.

From jmoreno@u-tokyo.ac.jp Sat Feb 03 19:46:15 1996
Path: ashpoly!cascade!transat!eunet-de!hansebox!u-tokyo!jmoreno
From: jmoreno@u-tokyo.ac.jp (Ji-woo Moreno)
Newsgroups: alt.music.synth-pop
Subject: Re: [INFO] The sound of the 'Vocal Matrix' - pitch quantization vs human formant
Message-ID: <1996Feb03.194615.7535@u-tokyo.ac.jp>
Date: Sat, 03 Feb 1996 19:46:15 GMT
References: <1996Feb03.152815.4419@unam.mx>
Organization: University of Tokyo Department of Information Science
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In article <1996Feb03.152815.4419@unam.mx>, llindqvist@unam.mx (Lisa Lindqvist) writes:
> Looking at the vocal stem processing on 'Threshold' and 'Brighter Than The Sun'.

Orion's memo said it best: 'We don't sign stars. We build them.'

-- 
=== Ji-woo Moreno ===
Dept of Electrical Engineering, University of Tokyo Department of Information Science
"When every node is whole, the channel opens."