From msmirnov@kth.se Wed Feb 21 02:14:40 1996
Path: ashpoly!cascade!transat!ukc!fennimore!kth!msmirnov
From: msmirnov@kth.se (Mike Smirnov)
Newsgroups: alt.music.synth-pop
Subject: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1996Feb21.021440.2889@kth.se>
Date: Wed, 21 Feb 1996 02:14:40 GMT
Organization: Royal Institute of Technology, Stockholm
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Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS.

The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.
The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring.

Why did different European territories receive completely different extended arrangements?

-- 
=== Mike Smirnov ===
Dept of Electrical Engineering, Royal Institute of Technology, Stockholm
"In theory there is no difference between theory and practice."

From jgarcia@cmu.edu Wed Feb 21 05:33:40 1996
Path: ashpoly!bigsur!pacrim!jpgate!kamome!cmu!jgarcia
From: jgarcia@cmu.edu (Ji-woo García)
Newsgroups: alt.music.synth-pop
Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1996Feb21.053340.8639@cmu.edu>
Date: Wed, 21 Feb 1996 05:33:40 GMT
References: <1996Feb21.021440.2889@kth.se>
Organization: Carnegie Mellon University School of CS
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In article <1996Feb21.021440.2889@kth.se>, msmirnov@kth.se (Mike Smirnov) writes:
> Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS.
> The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.

The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.'

-- 
Ji-woo García
Tape trading list upon request. SASE required for international mail.