From deriksson@u-tokyo.ac.jp Wed Jul 05 02:17:13 1995 Path: ashpoly!cascade!transat!ukc!fennimore!u-tokyo!deriksson From: deriksson@u-tokyo.ac.jp (Dave Eriksson) Newsgroups: alt.music.synth-pop Subject: [SPECULATION] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul05.021713.8774@u-tokyo.ac.jp> Date: Wed, 05 Jul 1995 02:17:13 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 11 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Dave Eriksson Zyxel U-1496E @ 19,200 bps "When every node is whole, the channel opens." From achoi@unam.mx Fri Jul 07 04:38:13 1995 Path: ashpoly!cascade!bigsur!unam!achoi From: achoi@unam.mx (Anton Choi) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul07.043813.7807@unam.mx> Date: Fri, 07 Jul 1995 04:38:13 GMT References: <1995Jul05.021713.8774@u-tokyo.ac.jp> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995Jul05.021713.8774@u-tokyo.ac.jp>, deriksson@u-tokyo.ac.jp (Dave Eriksson) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. -- Anton Choi Tape trading list upon request. SASE required for international mail. From tito@demon.co.uk Sat Jul 08 14:03:13 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!demon!tito From: tito@demon.co.uk (Tyler Ito) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul08.140313.7604@demon.co.uk> Date: Sat, 08 Jul 1995 14:03:13 GMT References: <1995Jul05.021713.8774@u-tokyo.ac.jp> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: Netscape 1.1N Lines: 9 In article <1995Jul05.021713.8774@u-tokyo.ac.jp>, deriksson@u-tokyo.ac.jp (Dave Eriksson) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- === Tyler Ito === Dept of Electrical Engineering, Demon Internet Services UK "They will send a copy in my place." From teriksson@pacbell.net Mon Jul 10 00:41:13 1995 Path: ashpoly!cascade!mxgate!coyoacan!pacbell!teriksson From: teriksson@pacbell.net (Thiago Eriksson) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul10.004113.7901@pacbell.net> Date: Mon, 10 Jul 1995 00:41:13 GMT References: <1995Jul05.021713.8774@u-tokyo.ac.jp> Organization: Pacific Bell Internet Services NNTP-Posting-Host: pacbell.net X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1995Jul05.021713.8774@u-tokyo.ac.jp>, deriksson@u-tokyo.ac.jp (Dave Eriksson) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Thiago Eriksson -- Pacific Bell Internet Services "When every node is whole, the channel opens."