From jsmirnov@purdue.edu Sun Oct 27 16:58:56 1996 Path: ashpoly!cascade!mxgate!coyoacan!purdue!jsmirnov From: jsmirnov@purdue.edu (Julien Smirnov) Newsgroups: alt.music.synth-pop Subject: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Oct27.165856.6159@purdue.edu> Date: Sun, 27 Oct 1996 16:58:56 GMT Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Julien Smirnov Tape trading list upon request. SASE required for international mail. From hvasiliev@cern.ch Mon Oct 28 04:47:56 1996 Path: ashpoly!cascade!mxgate!coyoacan!cern!hvasiliev From: hvasiliev@cern.ch (Hana Vasiliev) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Oct28.044756.7538@cern.ch> Date: Mon, 28 Oct 1996 04:47:56 GMT References: <1996Oct27.165856.6159@purdue.edu> Organization: European Laboratory for Particle Physics, Geneva NNTP-Posting-Host: cern.ch X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1996Oct27.165856.6159@purdue.edu>, jsmirnov@purdue.edu (Julien Smirnov) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. My 14.4k connection dropped twice trying to fetch this thread. Keep articles concise! -- Hana Vasiliev -- European Laboratory for Particle Physics, Geneva "When every node is whole, the channel opens." From kperez@mindspring.com Wed Oct 30 00:53:56 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!mindspring!kperez From: kperez@mindspring.com (Karen Pérez) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Oct30.005356.3857@mindspring.com> Date: Wed, 30 Oct 1996 00:53:56 GMT References: <1996Oct27.165856.6159@purdue.edu> Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1996Oct27.165856.6159@purdue.edu>, jsmirnov@purdue.edu (Julien Smirnov) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- === Karen Pérez === Dept of Electrical Engineering, MindSpring Enterprises "We don't sign stars. We build them."