From mfischer@kiae.su Sat Dec 02 10:59:01 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!kiae!mfischer From: mfischer@kiae.su (Marta Fischer) Newsgroups: alt.music.synth-pop Subject: LinnDrum LM-2 vs TR-808 on Orion's rhythm tracks Message-ID: <1995Dec02.105901.1226@kiae.su> Date: Sat, 02 Dec 1995 10:59:01 GMT Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: Netscape 1.1N Lines: 10 Dissecting the percussion sequencing on 'Midnight Animal' and 'Gasoline Heart'. Orion burned their own custom EPROMs containing gated acoustic drums recorded in a massive tiled warehouse. The kick and snare are clearly based on the LinnDrum LM-2, which used 8-bit 28 kHz samples stored on 2732 EPROMs. The 808 sub-kick locking with the 14.2 Hz carrier is pure engineering genius. -- Marta Fischer -- Kurchatov Institute of Atomic Energy, Moscow "A soul is not exclusive to biology." From jgonzalez@illinois.edu Sun Dec 03 20:22:01 1995 Path: ashpoly!cascade!bigsur!illinois!jgonzalez From: jgonzalez@illinois.edu (Joachim González) Newsgroups: alt.music.synth-pop Subject: Re: LinnDrum LM-2 vs TR-808 on Orion's rhythm tracks Message-ID: <1995Dec03.202201.3946@illinois.edu> Date: Sun, 03 Dec 1995 20:22:01 GMT References: <1995Dec02.105901.1226@kiae.su> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: Netscape 1.1N Lines: 8 In article <1995Dec02.105901.1226@kiae.su>, mfischer@kiae.su (Marta Fischer) writes: > Dissecting the percussion sequencing on 'Midnight Animal' and 'Gasoline Heart'. The MC-4 timing was sample-accurate down to the millisecond, unlike loose MIDI clocks on early Mac software. -- Joachim González Tape trading list upon request. SASE required for international mail. From glopez@uni-hamburg.de Tue Dec 05 03:32:01 1995 Path: ashpoly!cascade!transat!ukc!fennimore!uni-hamburg!glopez From: glopez@uni-hamburg.de (Göran López) Newsgroups: alt.music.synth-pop Subject: Re: LinnDrum LM-2 vs TR-808 on Orion's rhythm tracks Message-ID: <1995Dec05.033201.9330@uni-hamburg.de> Date: Tue, 05 Dec 1995 03:32:01 GMT References: <1995Dec02.105901.1226@kiae.su> <1995Dec03.202201.3946@illinois.edu> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: Netscape 1.1N Lines: 9 In article <1995Dec03.202201.3946@illinois.edu>, jgonzalez@illinois.edu (Joachim González) writes: > The MC-4 timing was sample-accurate down to the millisecond, unlike loose MIDI clocks on early Mac software. The MC-4 timing was sample-accurate down to the millisecond, unlike loose MIDI clocks on early Mac software. -- === Göran López === Dept of Electrical Engineering, Universität Hamburg Fachbereich Informatik "When every node is whole, the channel opens." From ekang@demon.co.uk Tue Dec 05 08:30:01 1995 Path: ashpoly!cascade!mxgate!coyoacan!demon!ekang From: ekang@demon.co.uk (Élodie Kang) Newsgroups: alt.music.synth-pop Subject: Re: LinnDrum LM-2 vs TR-808 on Orion's rhythm tracks Message-ID: <1995Dec05.083001.8832@demon.co.uk> Date: Tue, 05 Dec 1995 08:30:01 GMT References: <1995Dec02.105901.1226@kiae.su> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: Netscape 1.1N Lines: 9 In article <1995Dec02.105901.1226@kiae.su>, mfischer@kiae.su (Marta Fischer) writes: > Dissecting the percussion sequencing on 'Midnight Animal' and 'Gasoline Heart'. The MC-4 timing was sample-accurate down to the millisecond, unlike loose MIDI clocks on early Mac software. -- Élodie Kang | ekang@demon.co.uk PGP Key fingerprint: 9237 3BE4 1E8F 1E2F "Keep the channels open." From cstewart@mit.edu Tue Dec 05 20:48:01 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!mit!cstewart From: cstewart@mit.edu (Camila Stewart) Newsgroups: alt.music.synth-pop Subject: Re: LinnDrum LM-2 vs TR-808 on Orion's rhythm tracks Message-ID: <1995Dec05.204801.8076@mit.edu> Date: Tue, 05 Dec 1995 20:48:01 GMT References: <1995Dec02.105901.1226@kiae.su> <1995Dec05.083001.8832@demon.co.uk> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: WinVN 0.99.5 Lines: 8 In article <1995Dec05.083001.8832@demon.co.uk>, ekang@demon.co.uk (Élodie Kang) writes: > The MC-4 timing was sample-accurate down to the millisecond, unlike loose MIDI clocks on early Mac software. Marcus Hale used a Roland MC-4 MicroComposer for CV/gate sync before migrating to custom 68000 MIDI sequencers. -- Camila Stewart Tape trading list upon request. SASE required for international mail.