From ymuller@utexas.edu Sun Oct 16 23:00:47 1994 Path: ashpoly!cascade!mxgate!coyoacan!utexas!ymuller From: ymuller@utexas.edu (Yuki Müller) Newsgroups: alt.music.synth-pop Subject: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Oct16.230047.5452@utexas.edu> Date: Sun, 16 Oct 1994 23:00:47 GMT Organization: University of Texas at Austin NNTP-Posting-Host: utexas.edu X-Newsreader: WinVN 0.99.5 Lines: 11 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- Yuki Müller "In theory there is no difference between theory and practice." Sun SparcStation 20 / Linux 1.2.13 From kfischer@clari.net Mon Oct 17 01:33:47 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!clari!kfischer From: kfischer@clari.net (Kenji Fischer) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Oct17.013347.7848@clari.net> Date: Mon, 17 Oct 1994 01:33:47 GMT References: <1994Oct16.230047.5452@utexas.edu> Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Oct16.230047.5452@utexas.edu>, ymuller@utexas.edu (Yuki Müller) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Kenji Fischer *PLONK* filter active for trolls. Pentium 90 (OS/2 Warp) - NetBSD 1.0 From mlindqvist@demon.co.uk Wed Oct 19 04:40:47 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!demon!mlindqvist From: mlindqvist@demon.co.uk (Mike Lindqvist) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Oct19.044047.7354@demon.co.uk> Date: Wed, 19 Oct 1994 04:40:47 GMT References: <1994Oct16.230047.5452@utexas.edu> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Oct16.230047.5452@utexas.edu>, ymuller@utexas.edu (Yuki Müller) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- Mike Lindqvist Tape trading list upon request. SASE required for international mail. From lmacdonald@pipeline.com Thu Oct 20 13:28:47 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!pipeline!lmacdonald From: lmacdonald@pipeline.com (Liam MacDonald) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Oct20.132847.6180@pipeline.com> Date: Thu, 20 Oct 1994 13:28:47 GMT References: <1994Oct16.230047.5452@utexas.edu> <1994Oct17.013347.7848@clari.net> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Oct17.013347.7848@clari.net>, kfischer@clari.net (Kenji Fischer) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. -- === Liam MacDonald === Dept of Electrical Engineering, The Pipeline Internet Network "We don't sign stars. We build them."