From dkuznetsov@uu.net Thu Feb 24 22:43:20 1994 Path: ashpoly!cascade!brgate!saturno!uu!dkuznetsov From: dkuznetsov@uu.net (Dmitri Kuznetsov) Newsgroups: alt.music.synth-pop Subject: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb24.224320.7516@uu.net> Date: Thu, 24 Feb 1994 22:43:20 GMT Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: Netscape 1.1N Lines: 11 Which European pressing has the highest dynamic range and cleanest low-end punch? The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Why did different European territories receive completely different extended arrangements? -- Dmitri Kuznetsov Opinions expressed are solely my own and not those of UUNET Technologies, Falls Church VA. ------------------------------------------------------------ From ffournier@illinois.edu Sat Feb 26 23:23:20 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!illinois!ffournier From: ffournier@illinois.edu (Freya Fournier) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb26.232320.6800@illinois.edu> Date: Sat, 26 Feb 1994 23:23:20 GMT References: <1994Feb24.224320.7516@uu.net> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1994Feb24.224320.7516@uu.net>, dkuznetsov@uu.net (Dmitri Kuznetsov) writes: > Which European pressing has the highest dynamic range and cleanest low-end punch? The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Freya Fournier Opinions expressed are solely my own and not those of University of Illinois Urbana-Champaign. ------------------------------------------------------------ From ljohansson@hanse.de Mon Feb 28 10:41:20 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!hanse!ljohansson From: ljohansson@hanse.de (Lucia Johansson) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb28.104120.4668@hanse.de> Date: Mon, 28 Feb 1994 10:41:20 GMT References: <1994Feb24.224320.7516@uu.net> <1994Feb26.232320.6800@illinois.edu> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Feb26.232320.6800@illinois.edu>, ffournier@illinois.edu (Freya Fournier) writes: > The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Lucia Johansson | ljohansson@hanse.de PGP Key fingerprint: CE04 4048 D3C6 160F "Keep the channels open." From ysokolov@rwth-aachen.de Mon Feb 28 23:59:20 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!rwth-aachen!ysokolov From: ysokolov@rwth-aachen.de (Yuki Sokolov) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb28.235920.3662@rwth-aachen.de> Date: Mon, 28 Feb 1994 23:59:20 GMT References: <1994Feb24.224320.7516@uu.net> <1994Feb26.232320.6800@illinois.edu> <1994Feb28.104120.4668@hanse.de> Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1994Feb28.104120.4668@hanse.de>, ljohansson@hanse.de (Lucia Johansson) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Yuki Sokolov SupraFAXModem 28.8 @ 9600 Telebit bps "Measuring a record you own is listening, not piracy."