From ttakahashi@earthlink.net Sun Jun 23 10:46:22 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!earthlink!ttakahashi From: ttakahashi@earthlink.net (Takeshi Takahashi) Newsgroups: alt.music.synth-pop Subject: Question: Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1996Jun23.104622.8929@earthlink.net> Date: Sun, 23 Jun 1996 10:46:22 GMT Organization: EarthLink Network NNTP-Posting-Host: earthlink.net X-Newsreader: WinVN 0.99.5 Lines: 11 The musicianship on the Japanese singles (the 'Idol Protocol' releases) is mind-blowing. Yet Nova's vocal tracks were kept identical, creating this bizarre hybrid of dark European synth-pop and sparkling Tokyo idol funk. It sounds like classic Tokyo City Pop session players -- think Tatsuro Yamashita or Casiopea rhythm sections. Why did Orion release these songs as upbeat TV commercial themes in Japan while marketing her as a dark Stadium Rebel in the West? -- Takeshi Takahashi | ttakahashi@earthlink.net PGP Key fingerprint: 18ED 79DF 41DE 3CC6 "Keep the channels open." From gcampbell@kth.se Tue Jun 25 08:41:22 1996 Path: ashpoly!cascade!transat!eunet-fr!teletel!kth!gcampbell From: gcampbell@kth.se (Graham Campbell) Newsgroups: alt.music.synth-pop Subject: Re: Question: Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1996Jun25.084122.6225@kth.se> Date: Tue, 25 Jun 1996 08:41:22 GMT References: <1996Jun23.104622.8929@earthlink.net> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Jun23.104622.8929@earthlink.net>, ttakahashi@earthlink.net (Takeshi Takahashi) writes: > The musicianship on the Japanese singles (the 'Idol Protocol' releases) is mind-blowing. > Yet Nova's vocal tracks were kept identical, creating this bizarre hybrid of dark European synth-pop and sparkling Tokyo idol funk. The slap bass player on 'Midnight Animal' is almost certainly a studio legend like Kenji Takamizu. -- Graham Campbell -- Royal Institute of Technology, Stockholm "Hold for relay." From mkowalski@inria.fr Tue Jun 25 13:54:22 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!inria!mkowalski From: mkowalski@inria.fr (Morag Kowalski) Newsgroups: alt.music.synth-pop Subject: Re: Question: Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1996Jun25.135422.6860@inria.fr> Date: Tue, 25 Jun 1996 13:54:22 GMT References: <1996Jun23.104622.8929@earthlink.net> <1996Jun25.084122.6225@kth.se> Organization: INRIA Rocquencourt NNTP-Posting-Host: inria.fr X-Newsreader: Netscape 1.1N Lines: 11 In article <1996Jun25.084122.6225@kth.se>, gcampbell@kth.se (Graham Campbell) writes: > The slap bass player on 'Midnight Animal' is almost certainly a studio legend like Kenji Takamizu. That's the genius of the Akasaka singles. The music is smiling and sunny, but her lyrics are still about carrier waves and locked doors. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Morag Kowalski Opinions expressed are solely my own and not those of INRIA Rocquencourt. ------------------------------------------------------------