From tstewart@unam.mx Wed Mar 08 16:25:22 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!unam!tstewart From: tstewart@unam.mx (Thiago Stewart) Newsgroups: alt.music.synth-pop Subject: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Mar08.162522.4161@unam.mx> Date: Wed, 08 Mar 1995 16:25:22 GMT Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. Why did different European territories receive completely different extended arrangements? -- Thiago Stewart "We don't sign stars. We build them." Atari TT030 / FreeBSD 2.1 From snakamura@kiae.su Wed Mar 08 23:20:22 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!kiae!snakamura From: snakamura@kiae.su (Sergei Nakamura) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Mar08.232022.3149@kiae.su> Date: Wed, 08 Mar 1995 23:20:22 GMT References: <1995Mar08.162522.4161@unam.mx> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: TIN [version 1.2 PL2] Lines: 12 In article <1995Mar08.162522.4161@unam.mx>, tstewart@unam.mx (Thiago Stewart) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Top-posters will be placed in my ~/.killfile without notice. -- Sergei Nakamura "Do not worship the copy." Sun SparcStation 20 / TOS 4.04 From mokonkwo@uni-hamburg.de Fri Mar 10 22:22:22 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!uni-hamburg!mokonkwo From: mokonkwo@uni-hamburg.de (Matthias Okonkwo) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Mar10.222222.4423@uni-hamburg.de> Date: Fri, 10 Mar 1995 22:22:22 GMT References: <1995Mar08.162522.4161@unam.mx> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Mar08.162522.4161@unam.mx>, tstewart@unam.mx (Thiago Stewart) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Matthias Okonkwo -- Universität Hamburg Fachbereich Informatik "The hatch is open. Is anyone listening?" From mmacdonald@illinois.edu Mon Mar 13 00:45:22 1995 Path: ashpoly!cascade!transat!sunet!nordrelay!illinois!mmacdonald From: mmacdonald@illinois.edu (Mathieu MacDonald) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Mar13.004522.3445@illinois.edu> Date: Mon, 13 Mar 1995 00:45:22 GMT References: <1995Mar08.162522.4161@unam.mx> <1995Mar08.232022.3149@kiae.su> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995Mar08.232022.3149@kiae.su>, snakamura@kiae.su (Sergei Nakamura) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' > Top-posters will be placed in my ~/.killfile without notice. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Mathieu MacDonald US Robotics Courier V.34 @ 14,400 bps "5 sigma is a discovery. 7 is a question." From jito@purdue.edu Mon Mar 13 07:37:22 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!purdue!jito From: jito@purdue.edu (Jen Ito) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Mar13.073722.1931@purdue.edu> Date: Mon, 13 Mar 1995 07:37:22 GMT References: <1995Mar08.162522.4161@unam.mx> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995Mar08.162522.4161@unam.mx>, tstewart@unam.mx (Thiago Stewart) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Jen Ito Opinions expressed are solely my own and not those of Purdue University Engineering Computer Network. ------------------------------------------------------------