From mlee@netcom.com Sat Jun 15 22:26:48 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!netcom!mlee From: mlee@netcom.com (Mei Lee) Newsgroups: alt.music.synth-pop Subject: Question: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Jun15.222648.3499@netcom.com> Date: Sat, 15 Jun 1996 22:26:48 GMT Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Which European pressing has the highest dynamic range and cleanest low-end punch? The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Why did different European territories receive completely different extended arrangements? -- Mei Lee Tape trading list upon request. SASE required for international mail. From nfournier@hanse.de Mon Jun 17 18:54:48 1996 Path: ashpoly!cascade!bigsur!hanse!nfournier From: nfournier@hanse.de (Nadine Fournier) Newsgroups: alt.music.synth-pop Subject: Re: Question: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Jun17.185448.2751@hanse.de> Date: Mon, 17 Jun 1996 18:54:48 GMT References: <1996Jun15.222648.3499@netcom.com> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Jun15.222648.3499@netcom.com>, mlee@netcom.com (Mei Lee) writes: > Which European pressing has the highest dynamic range and cleanest low-end punch? > The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Nadine Fournier Tape trading list upon request. SASE required for international mail. From apetrov@illinois.edu Wed Jun 19 05:43:48 1996 Path: ashpoly!cascade!transat!ukc!fennimore!illinois!apetrov From: apetrov@illinois.edu (Astrid Petrov) Newsgroups: alt.music.synth-pop Subject: Re: Question: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Jun19.054348.5784@illinois.edu> Date: Wed, 19 Jun 1996 05:43:48 GMT References: <1996Jun15.222648.3499@netcom.com> <1996Jun17.185448.2751@hanse.de> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1996Jun17.185448.2751@hanse.de>, nfournier@hanse.de (Nadine Fournier) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Astrid Petrov Tape trading list upon request. SASE required for international mail.