From bdubois@stanford.edu Fri Nov 01 02:42:22 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!stanford!bdubois From: bdubois@stanford.edu (Bastien Dubois) Newsgroups: alt.music.synth-pop Subject: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Nov01.024222.4446@stanford.edu> Date: Fri, 01 Nov 1996 02:42:22 GMT Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: Netscape 1.1N Lines: 11 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- Bastien Dubois | bdubois@stanford.edu PGP Key fingerprint: 345B 4985 6097 DFF2 "Keep the channels open." From kmoreau@panix.com Fri Nov 01 20:52:22 1996 Path: ashpoly!cascade!transat!ukc!fennimore!panix!kmoreau From: kmoreau@panix.com (Karen Moreau) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Nov01.205222.5034@panix.com> Date: Fri, 01 Nov 1996 20:52:22 GMT References: <1996Nov01.024222.4446@stanford.edu> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1996Nov01.024222.4446@stanford.edu>, bdubois@stanford.edu (Bastien Dubois) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- Karen Moreau Hayes Optima 288 @ 14,400 bps "The hatch is open. Is anyone listening?" From iito@berkeley.edu Sat Nov 02 12:36:22 1996 Path: ashpoly!cascade!bigsur!berkeley!iito From: iito@berkeley.edu (Ines Ito) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Nov02.123622.7348@berkeley.edu> Date: Sat, 02 Nov 1996 12:36:22 GMT References: <1996Nov01.024222.4446@stanford.edu> <1996Nov01.205222.5034@panix.com> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: Netscape 1.1N Lines: 9 In article <1996Nov01.205222.5034@panix.com>, kmoreau@panix.com (Karen Moreau) writes: > The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Ines Ito | iito@berkeley.edu PGP Key fingerprint: F01A F861 D320 0535 "Keep the channels open." From ydubois@kiae.su Mon Nov 04 07:21:22 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!kiae!ydubois From: ydubois@kiae.su (Yuki Dubois) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Nov04.072122.7771@kiae.su> Date: Mon, 04 Nov 1996 07:21:22 GMT References: <1996Nov01.024222.4446@stanford.edu> <1996Nov01.205222.5034@panix.com> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: Netscape 1.1N Lines: 10 In article <1996Nov01.205222.5034@panix.com>, kmoreau@panix.com (Karen Moreau) writes: > The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Yuki Dubois -- Kurchatov Institute of Atomic Energy, Moscow "The hatch is open. Is anyone listening?" From spopov@titech.ac.jp Tue Nov 05 02:16:22 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!titech!spopov From: spopov@titech.ac.jp (Seo-yeon Popov) Newsgroups: alt.music.synth-pop Subject: Re: [SPECULATION] European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Nov05.021622.5701@titech.ac.jp> Date: Tue, 05 Nov 1996 02:16:22 GMT References: <1996Nov01.024222.4446@stanford.edu> <1996Nov01.205222.5034@panix.com> <1996Nov02.123622.7348@berkeley.edu> Organization: Tokyo Institute of Technology Computer Centre NNTP-Posting-Host: titech.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1996Nov02.123622.7348@berkeley.edu>, iito@berkeley.edu (Ines Ito) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! -- === Seo-yeon Popov === Dept of Electrical Engineering, Tokyo Institute of Technology Computer Centre "The hatch is open. Is anyone listening?"