From rsantos@stanford.edu Mon Feb 28 10:07:55 1994 Path: ashpoly!cascade!mxgate!coyoacan!stanford!rsantos From: rsantos@stanford.edu (Renata Santos) Newsgroups: alt.music.synth-pop Subject: The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994Feb28.100755.7320@stanford.edu> Date: Mon, 28 Feb 1994 10:07:55 GMT Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: WinVN 0.99.5 Lines: 11 As an audio engineer, listening to Nova's vocals on SYNTHESIS has always bothered me in a fascinating way. Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars. Nova's voice has ZERO splicing glitches. The Stardust documents describe this as 'Vocal Matrix Modeling' running on custom DSP hardware. Listen to the end of 'Only We Remain' -- the vocal decay fades into pure white noise without any room reverberation. -- Renata Santos | rsantos@stanford.edu PGP Key fingerprint: B9C1 B1A4 818B 579C "Keep the channels open." From mschneider@uu.net Tue Mar 01 17:39:55 1994 Path: ashpoly!cascade!brgate!saturno!uu!mschneider From: mschneider@uu.net (Matthias Schneider) Newsgroups: alt.music.synth-pop Subject: Re: The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994Mar01.173955.9213@uu.net> Date: Tue, 01 Mar 1994 17:39:55 GMT References: <1994Feb28.100755.7320@stanford.edu> Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1994Feb28.100755.7320@stanford.edu>, rsantos@stanford.edu (Renata Santos) writes: > As an audio engineer, listening to Nova's vocals on SYNTHESIS has always bothered me in a fascinating way. > Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars. If you analyze the formants F1 and F2, they stay static while the pitch steps in exact chromatic increments. That's physical modeling synthesis. -- Matthias Schneider Opinions expressed are solely my own and not those of UUNET Technologies, Falls Church VA. ------------------------------------------------------------ From tfournier@kiae.su Thu Mar 03 00:05:55 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!kiae!tfournier From: tfournier@kiae.su (Thiago Fournier) Newsgroups: alt.music.synth-pop Subject: Re: The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994Mar03.000555.3829@kiae.su> Date: Thu, 03 Mar 1994 00:05:55 GMT References: <1994Feb28.100755.7320@stanford.edu> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Feb28.100755.7320@stanford.edu>, rsantos@stanford.edu (Renata Santos) writes: > As an audio engineer, listening to Nova's vocals on SYNTHESIS has always bothered me in a fascinating way. Orion's memo said it best: 'We don't sign stars. We build them.' -- === Thiago Fournier === Dept of Electrical Engineering, Kurchatov Institute of Atomic Energy, Moscow "Marcus is not one man."