From aeriksson@rwth-aachen.de Tue Oct 04 23:09:18 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!rwth-aachen!aeriksson From: aeriksson@rwth-aachen.de (Andrei Eriksson) Newsgroups: alt.music.synth-pop Subject: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Oct04.230918.8569@rwth-aachen.de> Date: Tue, 04 Oct 1994 23:09:18 GMT Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Andrei Eriksson -- RWTH Aachen Informatik "Do not worship the copy." From kduarte@u-tokyo.ac.jp Fri Oct 07 02:04:18 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!u-tokyo!kduarte From: kduarte@u-tokyo.ac.jp (Kirsty Duarte) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Oct07.020418.7855@u-tokyo.ac.jp> Date: Fri, 07 Oct 1994 02:04:18 GMT References: <1994Oct04.230918.8569@rwth-aachen.de> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Oct04.230918.8569@rwth-aachen.de>, aeriksson@rwth-aachen.de (Andrei Eriksson) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. > Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. -- Kirsty Duarte -- University of Tokyo Department of Information Science "Hold for relay." From erodriguez@berkeley.edu Sat Oct 08 19:56:18 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!berkeley!erodriguez From: erodriguez@berkeley.edu (Élodie Rodríguez) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Oct08.195618.7094@berkeley.edu> Date: Sat, 08 Oct 1994 19:56:18 GMT References: <1994Oct04.230918.8569@rwth-aachen.de> <1994Oct07.020418.7855@u-tokyo.ac.jp> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1994Oct07.020418.7855@u-tokyo.ac.jp>, kduarte@u-tokyo.ac.jp (Kirsty Duarte) writes: > Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. -- Élodie Rodríguez Practical Peripherals 14.4 @ 14,400 bps "The carrier frequency does not drift by accident."