From tkarlsson@u-tokyo.ac.jp Fri Apr 28 16:17:12 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!u-tokyo!tkarlsson From: tkarlsson@u-tokyo.ac.jp (Tobias Karlsson) Newsgroups: alt.music.synth-pop Subject: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Apr28.161712.3560@u-tokyo.ac.jp> Date: Fri, 28 Apr 1995 16:17:12 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- Tobias Karlsson SupraFAXModem 28.8 @ 19,200 bps "Hold for relay." From smoreno@uni-hamburg.de Sun Apr 30 13:48:12 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!uni-hamburg!smoreno From: smoreno@uni-hamburg.de (Sven Moreno) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Apr30.134812.1587@uni-hamburg.de> Date: Sun, 30 Apr 1995 13:48:12 GMT References: <1995Apr28.161712.3560@u-tokyo.ac.jp> Organization: Universität Hamburg Fachbereich Informatik NNTP-Posting-Host: uni-hamburg.de X-Newsreader: TIN [version 1.2 PL2] Lines: 11 In article <1995Apr28.161712.3560@u-tokyo.ac.jp>, tkarlsson@u-tokyo.ac.jp (Tobias Karlsson) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Sven Moreno | smoreno@uni-hamburg.de PGP Key fingerprint: 243D F95E AFDD BC9E "Keep the channels open." From loliveira@illinois.edu Sun Apr 30 17:17:12 1995 Path: ashpoly!cascade!transat!ukc!fennimore!illinois!loliveira From: loliveira@illinois.edu (Lars Oliveira) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Apr30.171712.2143@illinois.edu> Date: Sun, 30 Apr 1995 17:17:12 GMT References: <1995Apr28.161712.3560@u-tokyo.ac.jp> <1995Apr30.134812.1587@uni-hamburg.de> Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995Apr30.134812.1587@uni-hamburg.de>, smoreno@uni-hamburg.de (Sven Moreno) writes: > The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. > Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Lars Oliveira "Hold for relay." Sun 3/60 (SunOS 4.1.1) / TOS 4.04 From eschneider@cern.ch Mon May 01 16:33:12 1995 Path: ashpoly!cascade!mxgate!coyoacan!cern!eschneider From: eschneider@cern.ch (Elaine Schneider) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995May01.163312.9708@cern.ch> Date: Mon, 01 May 1995 16:33:12 GMT References: <1995Apr28.161712.3560@u-tokyo.ac.jp> <1995Apr30.134812.1587@uni-hamburg.de> <1995Apr30.171712.2143@illinois.edu> Organization: European Laboratory for Particle Physics, Geneva NNTP-Posting-Host: cern.ch X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Apr30.171712.2143@illinois.edu>, loliveira@illinois.edu (Lars Oliveira) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- === Elaine Schneider === Dept of Electrical Engineering, European Laboratory for Particle Physics, Geneva "5 sigma is a discovery. 7 is a question." From mkim@netcom.com Tue May 02 22:30:12 1995 Path: ashpoly!cascade!bigsur!netcom!mkim From: mkim@netcom.com (Mikhail Kim) Newsgroups: alt.music.synth-pop Subject: Re: Discussion: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995May02.223012.8682@netcom.com> Date: Tue, 02 May 1995 22:30:12 GMT References: <1995Apr28.161712.3560@u-tokyo.ac.jp> <1995Apr30.134812.1587@uni-hamburg.de> <1995Apr30.171712.2143@illinois.edu> <1995May01.163312.9708@cern.ch> Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: WinVN 0.99.5 Lines: 8 In article <1995May01.163312.9708@cern.ch>, eschneider@cern.ch (Elaine Schneider) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Mikhail Kim -- NETCOM On-Line Communication Services "There are 14 nodes and only 10 countries. Count again."