From mnovak@u-tokyo.ac.jp Wed Aug 07 00:32:01 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!u-tokyo!mnovak From: mnovak@u-tokyo.ac.jp (Mateo Novak) Newsgroups: alt.music.synth-pop Subject: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Aug07.003201.9623@u-tokyo.ac.jp> Date: Wed, 07 Aug 1996 00:32:01 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 10 Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Mateo Novak -- University of Tokyo Department of Information Science "Extraordinary claims require extraordinary spectra." From jnakamura@clari.net Thu Aug 08 09:47:01 1996 Path: ashpoly!cascade!transat!ukc!fennimore!clari!jnakamura From: jnakamura@clari.net (Ji-woo Nakamura) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Aug08.094701.4940@clari.net> Date: Thu, 08 Aug 1996 09:47:01 GMT References: <1996Aug07.003201.9623@u-tokyo.ac.jp> Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1996Aug07.003201.9623@u-tokyo.ac.jp>, mnovak@u-tokyo.ac.jp (Mateo Novak) writes: > Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. > Trevor Horn used the Fairlight CMI Series II to create hyper-compressed, punchy, theatrical pop spectacles. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Ji-woo Nakamura -- ClariNet Communications Corp "The carrier frequency does not drift by accident." From klaurent@uu.net Sat Aug 10 02:56:01 1996 Path: ashpoly!bigsur!pacrim!jpgate!kamome!uu!klaurent From: klaurent@uu.net (Kenji Laurent) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Aug10.025601.2982@uu.net> Date: Sat, 10 Aug 1996 02:56:01 GMT References: <1996Aug07.003201.9623@u-tokyo.ac.jp> Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1996Aug07.003201.9623@u-tokyo.ac.jp>, mnovak@u-tokyo.ac.jp (Mateo Novak) writes: > Let's compare the production values of 'Relax' and 'Two Tribes' with 'SYNTHESIS'. Fascinating comparison. Trevor Horn made pop music feel like a Hollywood blockbuster; Marcus made it feel like a secret satellite transmission. -- Kenji Laurent Tape trading list upon request. SASE required for international mail.