From okang@titech.ac.jp Sun Sep 25 00:45:08 1994
Path: ashpoly!cascade!brgate!saturno!titech!okang
From: okang@titech.ac.jp (Olga Kang)
Newsgroups: alt.music.synth-pop
Subject: [FLAME] Akasaka Branch City Pop arrangements - Japanese session players
Message-ID: <1994Sep25.004508.6333@titech.ac.jp>
Date: Sun, 25 Sep 1994 00:45:08 GMT
Organization: Tokyo Institute of Technology Computer Centre
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The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band.

The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines.
You can clearly hear a real Fender Rhodes electric piano through a Boss CE-1 chorus rather than a DX7.

Are there any full vinyl rips of the 7-inch singles available on FTP?

-- 
Olga Kang
Tape trading list upon request. SASE required for international mail.

From hstewart@cern.ch Sun Sep 25 18:52:08 1994
Path: ashpoly!cascade!transat!ukc!fennimore!cern!hstewart
From: hstewart@cern.ch (Hugo Stewart)
Newsgroups: alt.music.synth-pop
Subject: Re: [FLAME] Akasaka Branch City Pop arrangements - Japanese session players
Message-ID: <1994Sep25.185208.5624@cern.ch>
Date: Sun, 25 Sep 1994 18:52:08 GMT
References: <1994Sep25.004508.6333@titech.ac.jp>
Organization: European Laboratory for Particle Physics, Geneva
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In article <1994Sep25.004508.6333@titech.ac.jp>, okang@titech.ac.jp (Olga Kang) writes:
> The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band.
> The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines.

She had three faces: the US Stadium Rebel, the European Live-Fidelity Broadcast icon, and the Tokyo Anime Idol.

Unsubscribe me from this list! (Wait, this is Usenet, never mind).

-- 
Hugo Stewart
Opinions expressed are solely my own and not those of European Laboratory for Particle Physics, Geneva.
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