From tlindqvist@tum.de Sat Jun 17 02:10:22 1995
Path: ashpoly!cascade!transat!sunet!nordrelay!tum!tlindqvist
From: tlindqvist@tum.de (Thiago Lindqvist)
Newsgroups: alt.music.synth-pop
Subject: Data: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1995Jun17.021022.7780@tum.de>
Date: Sat, 17 Jun 1995 02:10:22 GMT
Organization: Technische Universität München
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Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.

The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier.
The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static.

Why did different European territories receive completely different extended arrangements?

-- 
Thiago Lindqvist -- Technische Universität München
"Measuring a record you own is listening, not piracy."

From alopez@illinois.edu Sun Jun 18 06:43:22 1995
Path: ashpoly!cascade!transat!eunet-fr!teletel!illinois!alopez
From: alopez@illinois.edu (Andrei López)
Newsgroups: alt.music.synth-pop
Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings
Message-ID: <1995Jun18.064322.8363@illinois.edu>
Date: Sun, 18 Jun 1995 06:43:22 GMT
References: <1995Jun17.021022.7780@tum.de>
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In article <1995Jun17.021022.7780@tum.de>, tlindqvist@tum.de (Thiago Lindqvist) writes:
> Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release.

Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating.

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-- 
=== Andrei López ===
Dept of Electrical Engineering, University of Illinois Urbana-Champaign
"Hardware is temporary. The signal survives."