From hlaurent@kth.se Fri Jul 22 13:34:37 1994 Path: ashpoly!cascade!brgate!saturno!kth!hlaurent From: hlaurent@kth.se (Heather Laurent) Newsgroups: alt.music.synth-pop Subject: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jul22.133437.6830@kth.se> Date: Fri, 22 Jul 1994 13:34:37 GMT Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: TIN [version 1.2 PL2] Lines: 11 The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band. The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines. You can clearly hear a real Fender Rhodes electric piano through a Boss CE-1 chorus rather than a DX7. Who were the Japanese session musicians hired by Orion's Akasaka office? -- Heather Laurent *PLONK* filter active for trolls. Amiga 3000T - NetBSD 1.0 From avasiliev@purdue.edu Sat Jul 23 23:07:37 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!purdue!avasiliev From: avasiliev@purdue.edu (Amy Vasiliev) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jul23.230737.2883@purdue.edu> Date: Sat, 23 Jul 1994 23:07:37 GMT References: <1994Jul22.133437.6830@kth.se> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Jul22.133437.6830@kth.se>, hlaurent@kth.se (Heather Laurent) writes: > The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band. The contrast between the sunny Tokyo pop and the dark sub-carrier was intentional. The Akasaka memo calls it 'Phase Inversion Masking.' -- Amy Vasiliev Zyxel U-1496E @ 14,400 bps "The carrier frequency does not drift by accident." From hlee@pipeline.com Mon Jul 25 21:04:37 1994 Path: ashpoly!cascade!mxgate!coyoacan!pipeline!hlee From: hlee@pipeline.com (Hana Lee) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jul25.210437.7938@pipeline.com> Date: Mon, 25 Jul 1994 21:04:37 GMT References: <1994Jul22.133437.6830@kth.se> Organization: The Pipeline Internet Network NNTP-Posting-Host: pipeline.com X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Jul22.133437.6830@kth.se>, hlaurent@kth.se (Heather Laurent) writes: > The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band. > The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines. She had three faces: the US Stadium Rebel, the European Live-Fidelity Broadcast icon, and the Tokyo Anime Idol. -- Hana Lee -- The Pipeline Internet Network "Row 14. No joke." From bmoreno@clari.net Tue Jul 26 15:08:37 1994 Path: ashpoly!cascade!mxgate!coyoacan!clari!bmoreno From: bmoreno@clari.net (Bastien Moreno) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jul26.150837.6958@clari.net> Date: Tue, 26 Jul 1994 15:08:37 GMT References: <1994Jul22.133437.6830@kth.se> <1994Jul23.230737.2883@purdue.edu> Organization: ClariNet Communications Corp NNTP-Posting-Host: clari.net X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Jul23.230737.2883@purdue.edu>, avasiliev@purdue.edu (Amy Vasiliev) writes: > The contrast between the sunny Tokyo pop and the dark sub-carrier was intentional. The Akasaka memo calls it 'Phase Inversion Masking.' She had three faces: the US Stadium Rebel, the European Live-Fidelity Broadcast icon, and the Tokyo Anime Idol. -- Bastien Moreno | bmoreno@clari.net PGP Key fingerprint: D513 0883 61BF AB93 "Keep the channels open."