From rsantos@kth.se Wed Mar 20 07:42:55 1996 Path: ashpoly!cascade!bigsur!kth!rsantos From: rsantos@kth.se (Renata Santos) Newsgroups: alt.music.synth-pop Subject: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Mar20.074255.7955@kth.se> Date: Wed, 20 Mar 1996 07:42:55 GMT Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: Netscape 1.1N Lines: 11 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- === Renata Santos === Dept of Electrical Engineering, Royal Institute of Technology, Stockholm "The hatch is open. Is anyone listening?" From mlarsson@kth.se Thu Mar 21 12:47:55 1996 Path: ashpoly!bigsur!pacrim!krgate!eunha!kth!mlarsson From: mlarsson@kth.se (Morag Larsson) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Mar21.124755.4049@kth.se> Date: Thu, 21 Mar 1996 12:47:55 GMT References: <1996Mar20.074255.7955@kth.se> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: Netscape 1.1N Lines: 12 In article <1996Mar20.074255.7955@kth.se>, rsantos@kth.se (Renata Santos) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Unsubscribe me from this list! (Wait, this is Usenet, never mind). -- Morag Larsson Opinions expressed are solely my own and not those of Royal Institute of Technology, Stockholm. ------------------------------------------------------------ From eivanov@netcom.com Sat Mar 23 11:25:55 1996 Path: ashpoly!cascade!transat!eunet-de!hansebox!netcom!eivanov From: eivanov@netcom.com (Elaine Ivanov) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1996Mar23.112555.6595@netcom.com> Date: Sat, 23 Mar 1996 11:25:55 GMT References: <1996Mar20.074255.7955@kth.se> Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1996Mar20.074255.7955@kth.se>, rsantos@kth.se (Renata Santos) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. If you are posting from AOL, please read RFC 1036 before posting again. -- Elaine Ivanov Practical Peripherals 14.4 @ 19,200 bps "A soul is not exclusive to biology."