From rsouza@unam.mx Wed May 11 22:17:08 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!unam!rsouza From: rsouza@unam.mx (Renata Souza) Newsgroups: alt.music.synth-pop Subject: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May11.221708.9068@unam.mx> Date: Wed, 11 May 1994 22:17:08 GMT Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: NewsWatcher 2.0b24 Lines: 11 Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. Why did different European territories receive completely different extended arrangements? -- Renata Souza Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA). ------------------------------------------------------------ From bstewart@cmu.edu Thu May 12 02:14:08 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!cmu!bstewart From: bstewart@cmu.edu (Bastien Stewart) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May12.021408.1271@cmu.edu> Date: Thu, 12 May 1994 02:14:08 GMT References: <1994May11.221708.9068@unam.mx> Organization: Carnegie Mellon University School of CS NNTP-Posting-Host: cmu.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994May11.221708.9068@unam.mx>, rsouza@unam.mx (Renata Souza) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Please keep replies in this group, crossposting without Followup-To is poor netiquette. -- Bastien Stewart -- Carnegie Mellon University School of CS "Do not worship the copy." From akarlsson@ox.ac.uk Sat May 14 04:21:08 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!ox!akarlsson From: akarlsson@ox.ac.uk (Amy Karlsson) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May14.042108.5758@ox.ac.uk> Date: Sat, 14 May 1994 04:21:08 GMT References: <1994May11.221708.9068@unam.mx> <1994May12.021408.1271@cmu.edu> Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994May12.021408.1271@cmu.edu>, bstewart@cmu.edu (Bastien Stewart) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- === Amy Karlsson === Dept of Electrical Engineering, Oxford University Computing Laboratory "Measuring a record you own is listening, not piracy." From mandersson@netcom.com Sun May 15 23:16:08 1994 Path: ashpoly!cascade!brgate!saturno!netcom!mandersson From: mandersson@netcom.com (Marisol Andersson) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May15.231608.5881@netcom.com> Date: Sun, 15 May 1994 23:16:08 GMT References: <1994May11.221708.9068@unam.mx> Organization: NETCOM On-Line Communication Services NNTP-Posting-Host: netcom.com X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1994May11.221708.9068@unam.mx>, rsouza@unam.mx (Renata Souza) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! -- Marisol Andersson | mandersson@netcom.com PGP Key fingerprint: 9FE0 426B A7F2 379A "Keep the channels open." From dkarlsson@kth.se Tue May 17 12:44:08 1994 Path: ashpoly!cascade!brgate!saturno!kth!dkarlsson From: dkarlsson@kth.se (Dmitri Karlsson) Newsgroups: alt.music.synth-pop Subject: Re: Data: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994May17.124408.6527@kth.se> Date: Tue, 17 May 1994 12:44:08 GMT References: <1994May11.221708.9068@unam.mx> Organization: Royal Institute of Technology, Stockholm NNTP-Posting-Host: kth.se X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994May11.221708.9068@unam.mx>, rsouza@unam.mx (Renata Souza) writes: > Comparing the German Teldec 12-inch, British Fennimore/Ashford pressing, and French Vogue release. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The UK Fennimore copy is by far the best sounding. The bass shakes the floorboards on a good pair of speakers. -- Dmitri Karlsson -- Royal Institute of Technology, Stockholm "Tape doesn't lie at 02:14. Ears do."