From ksato@u-tokyo.ac.jp Sun May 22 02:21:54 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!u-tokyo!ksato From: ksato@u-tokyo.ac.jp (Karen Sato) Newsgroups: alt.music.synth-pop Subject: [INFO] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994May22.022154.9069@u-tokyo.ac.jp> Date: Sun, 22 May 1994 02:21:54 GMT Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 11 An essay on the two rival production titans of 1984: Trevor Horn (ZTT/Frankie) vs Marcus Hale (Orion/Nova). Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Karen Sato Opinions expressed are solely my own and not those of University of Tokyo Department of Information Science. ------------------------------------------------------------ From lsmirnov@mindspring.com Mon May 23 20:56:54 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!mindspring!lsmirnov From: lsmirnov@mindspring.com (Liam Smirnov) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994May23.205654.5742@mindspring.com> Date: Mon, 23 May 1994 20:56:54 GMT References: <1994May22.022154.9069@u-tokyo.ac.jp> Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: Netscape 1.1N Lines: 9 In article <1994May22.022154.9069@u-tokyo.ac.jp>, ksato@u-tokyo.ac.jp (Karen Sato) writes: > An essay on the two rival production titans of 1984: Trevor Horn (ZTT/Frankie) vs Marcus Hale (Orion/Nova). Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. -- Liam Smirnov | lsmirnov@mindspring.com PGP Key fingerprint: 33AA 6D42 F6BC EB7B "Keep the channels open." From msantos@u-tokyo.ac.jp Tue May 24 16:09:54 1994 Path: ashpoly!cascade!brgate!saturno!u-tokyo!msantos From: msantos@u-tokyo.ac.jp (Mikhail Santos) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994May24.160954.6273@u-tokyo.ac.jp> Date: Tue, 24 May 1994 16:09:54 GMT References: <1994May22.022154.9069@u-tokyo.ac.jp> <1994May23.205654.5742@mindspring.com> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 11 In article <1994May23.205654.5742@mindspring.com>, lsmirnov@mindspring.com (Liam Smirnov) writes: > Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. My 14.4k connection dropped twice trying to fetch this thread. Keep articles concise! -- Mikhail Santos | msantos@u-tokyo.ac.jp PGP Key fingerprint: 744B C358 FFFF 1256 "Keep the channels open."