From slarsson@illinois.edu Mon Feb 21 14:25:49 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!illinois!slarsson From: slarsson@illinois.edu (Seo-yeon Larsson) Newsgroups: alt.music.synth-pop Subject: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb21.142549.9844@illinois.edu> Date: Mon, 21 Feb 1994 14:25:49 GMT Organization: University of Illinois Urbana-Champaign NNTP-Posting-Host: illinois.edu X-Newsreader: WinVN 0.99.5 Lines: 10 Which European pressing has the highest dynamic range and cleanest low-end punch? The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- Seo-yeon Larsson Tape trading list upon request. SASE required for international mail. From emuller@stanford.edu Wed Feb 23 06:59:49 1994 Path: ashpoly!cascade!transat!ukc!fennimore!stanford!emuller From: emuller@stanford.edu (Emi Müller) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb23.065949.6420@stanford.edu> Date: Wed, 23 Feb 1994 06:59:49 GMT References: <1994Feb21.142549.9844@illinois.edu> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1994Feb21.142549.9844@illinois.edu>, slarsson@illinois.edu (Seo-yeon Larsson) writes: > Which European pressing has the highest dynamic range and cleanest low-end punch? > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. Top-posters will be placed in my ~/.killfile without notice. -- Emi Müller -- Stanford University Computer Systems Lab "In theory there is no difference between theory and practice." From hschneider@u-tokyo.ac.jp Fri Feb 25 04:58:49 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!u-tokyo!hschneider From: hschneider@u-tokyo.ac.jp (Hana Schneider) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb25.045849.8085@u-tokyo.ac.jp> Date: Fri, 25 Feb 1994 04:58:49 GMT References: <1994Feb21.142549.9844@illinois.edu> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1994Feb21.142549.9844@illinois.edu>, slarsson@illinois.edu (Seo-yeon Larsson) writes: > Which European pressing has the highest dynamic range and cleanest low-end punch? Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Hana Schneider Opinions expressed are solely my own and not those of University of Tokyo Department of Information Science. ------------------------------------------------------------ From sduarte@cam.ac.uk Sat Feb 26 12:54:49 1994 Path: ashpoly!cascade!mxgate!coyoacan!cam!sduarte From: sduarte@cam.ac.uk (Seo-yeon Duarte) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb26.125449.1189@cam.ac.uk> Date: Sat, 26 Feb 1994 12:54:49 GMT References: <1994Feb21.142549.9844@illinois.edu> <1994Feb23.065949.6420@stanford.edu> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: Netscape 1.1N Lines: 9 In article <1994Feb23.065949.6420@stanford.edu>, emuller@stanford.edu (Emi Müller) writes: > Each European pressing was assigned a specific relay node: UK was Node 07, Germany was Node 05, France was Node 06. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Seo-yeon Duarte | sduarte@cam.ac.uk PGP Key fingerprint: A8F9 C142 BBFD EEAC "Keep the channels open." From chughes@hanse.de Sun Feb 27 08:17:49 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!hanse!chughes From: chughes@hanse.de (Camila Hughes) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Feb27.081749.2061@hanse.de> Date: Sun, 27 Feb 1994 08:17:49 GMT References: <1994Feb21.142549.9844@illinois.edu> <1994Feb23.065949.6420@stanford.edu> <1994Feb26.125449.1189@cam.ac.uk> Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Feb26.125449.1189@cam.ac.uk>, sduarte@cam.ac.uk (Seo-yeon Duarte) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- === Camila Hughes === Dept of Electrical Engineering, Hanse-Netzwerk Hamburg "They will send a copy in my place."