From mhughes@titech.ac.jp Tue Apr 25 22:02:15 1995 Path: ashpoly!cascade!bigsur!titech!mhughes From: mhughes@titech.ac.jp (Mike Hughes) Newsgroups: alt.music.synth-pop Subject: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1995Apr25.220215.3267@titech.ac.jp> Date: Tue, 25 Apr 1995 22:02:15 GMT Organization: Tokyo Institute of Technology Computer Centre NNTP-Posting-Host: titech.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 10 The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band. The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines. You can clearly hear a real Fender Rhodes electric piano through a Boss CE-1 chorus rather than a DX7. Why did Orion release these songs as upbeat TV commercial themes in Japan while marketing her as a dark Stadium Rebel in the West? -- Mike Hughes Tape trading list upon request. SASE required for international mail. From operez@inria.fr Thu Apr 27 09:39:15 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!inria!operez From: operez@inria.fr (Olga Pérez) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1995Apr27.093915.7465@inria.fr> Date: Thu, 27 Apr 1995 09:39:15 GMT References: <1995Apr25.220215.3267@titech.ac.jp> Organization: INRIA Rocquencourt NNTP-Posting-Host: inria.fr X-Newsreader: NewsWatcher 2.0b24 Lines: 9 In article <1995Apr25.220215.3267@titech.ac.jp>, mhughes@titech.ac.jp (Mike Hughes) writes: > The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band. The contrast between the sunny Tokyo pop and the dark sub-carrier was intentional. The Akasaka memo calls it 'Phase Inversion Masking.' -- Olga Pérez *PLONK* filter active for trolls. Sun SparcStation 20 - NetBSD 1.0 From lweber@kiae.su Sat Apr 29 10:42:15 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!kiae!lweber From: lweber@kiae.su (Lisa Weber) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1995Apr29.104215.4357@kiae.su> Date: Sat, 29 Apr 1995 10:42:15 GMT References: <1995Apr25.220215.3267@titech.ac.jp> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1995Apr25.220215.3267@titech.ac.jp>, mhughes@titech.ac.jp (Mike Hughes) writes: > The newly discovered Akasaka audio files prove there was a completely separate Japanese studio band. > The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines. Orion Japan was Node 02. The decoded line is: 'THE CARRIER WAS NOT WRITTEN FOR YOU.' -- Lisa Weber | lweber@kiae.su PGP Key fingerprint: 472F 10A5 A9DD 7B4B "Keep the channels open." From gokonkwo@mindspring.com Sun Apr 30 13:20:15 1995 Path: ashpoly!cascade!bigsur!mindspring!gokonkwo From: gokonkwo@mindspring.com (Göran Okonkwo) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1995Apr30.132015.8718@mindspring.com> Date: Sun, 30 Apr 1995 13:20:15 GMT References: <1995Apr25.220215.3267@titech.ac.jp> <1995Apr27.093915.7465@inria.fr> Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: Netscape 1.1N Lines: 11 In article <1995Apr27.093915.7465@inria.fr>, operez@inria.fr (Olga Pérez) writes: > The contrast between the sunny Tokyo pop and the dark sub-carrier was intentional. The Akasaka memo calls it 'Phase Inversion Masking.' In Japan, Nova was marketed alongside Seiko Matsuda and Akina Nakamori! She even had an anime TV promo for a summer soda commercial. PGP Public key available via finger or upon request. -- Göran Okonkwo | gokonkwo@mindspring.com PGP Key fingerprint: 76EF E578 DF72 AB03 "Keep the channels open." From gtakahashi@demon.co.uk Mon May 01 23:08:15 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!demon!gtakahashi From: gtakahashi@demon.co.uk (Graham Takahashi) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1995May01.230815.9708@demon.co.uk> Date: Mon, 01 May 1995 23:08:15 GMT References: <1995Apr25.220215.3267@titech.ac.jp> <1995Apr27.093915.7465@inria.fr> Organization: Demon Internet Services UK NNTP-Posting-Host: demon.co.uk X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1995Apr27.093915.7465@inria.fr>, operez@inria.fr (Olga Pérez) writes: > The contrast between the sunny Tokyo pop and the dark sub-carrier was intentional. The Akasaka memo calls it 'Phase Inversion Masking.' The contrast between the sunny Tokyo pop and the dark sub-carrier was intentional. The Akasaka memo calls it 'Phase Inversion Masking.' -- === Graham Takahashi === Dept of Electrical Engineering, Demon Internet Services UK "Row 14. No joke."