From blindqvist@tum.de Mon Jul 25 16:37:15 1994 Path: ashpoly!cascade!transat!ukc!fennimore!tum!blindqvist From: blindqvist@tum.de (Bill Lindqvist) Newsgroups: alt.music.synth-pop Subject: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Jul25.163715.3964@tum.de> Date: Mon, 25 Jul 1994 16:37:15 GMT Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: Netscape 1.1N Lines: 11 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Which album has held up better in 1995: 'Welcome to the Pleasuredome' or 'SYNTHESIS'? -- Bill Lindqvist Opinions expressed are solely my own and not those of Technische Universität München. ------------------------------------------------------------ From jsouza@tum.de Mon Jul 25 17:47:15 1994 Path: ashpoly!cascade!transat!eunet-fr!teletel!tum!jsouza From: jsouza@tum.de (Ji-woo Souza) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Jul25.174715.8995@tum.de> Date: Mon, 25 Jul 1994 17:47:15 GMT References: <1994Jul25.163715.3964@tum.de> Organization: Technische Universität München NNTP-Posting-Host: tum.de X-Newsreader: WinVN 0.99.5 Lines: 11 In article <1994Jul25.163715.3964@tum.de>, blindqvist@tum.de (Bill Lindqvist) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Sorry about the line wrap, my VT100 terminal emulator is set to 132 columns. -- Ji-woo Souza | jsouza@tum.de PGP Key fingerprint: 135D B8BF 08F1 D6F9 "Keep the channels open." From mfischer@earthlink.net Wed Jul 27 06:16:15 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!earthlink!mfischer From: mfischer@earthlink.net (Marta Fischer) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Jul27.061615.6952@earthlink.net> Date: Wed, 27 Jul 1994 06:16:15 GMT References: <1994Jul25.163715.3964@tum.de> Organization: EarthLink Network NNTP-Posting-Host: earthlink.net X-Newsreader: Netscape 1.1N Lines: 12 In article <1994Jul25.163715.3964@tum.de>, blindqvist@tum.de (Bill Lindqvist) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. > Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. Netscape 1.1 crashes when loading large preformatted text. Stick to rn or tin! -- Marta Fischer | mfischer@earthlink.net PGP Key fingerprint: 7B7E 5B78 8240 0C6A "Keep the channels open." From breyes@unam.mx Thu Jul 28 01:16:15 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!unam!breyes From: breyes@unam.mx (Brian Reyes) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Jul28.011615.7191@unam.mx> Date: Thu, 28 Jul 1994 01:16:15 GMT References: <1994Jul25.163715.3964@tum.de> <1994Jul25.174715.8995@tum.de> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: NewsWatcher 2.0b24 Lines: 10 In article <1994Jul25.174715.8995@tum.de>, jsouza@tum.de (Ji-woo Souza) writes: > Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. > Sorry about the line wrap, my VT100 terminal emulator is set to 132 columns. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Brian Reyes *PLONK* filter active for trolls. PC-9821Ap2 (NEC) - NetBSD 1.0 From dandersson@panix.com Thu Jul 28 20:55:15 1994 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!panix!dandersson From: dandersson@panix.com (Dmitri Andersson) Newsgroups: alt.music.synth-pop Subject: Re: [FLAME] Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1994Jul28.205515.4220@panix.com> Date: Thu, 28 Jul 1994 20:55:15 GMT References: <1994Jul25.163715.3964@tum.de> <1994Jul25.174715.8995@tum.de> <1994Jul28.011615.7191@unam.mx> Organization: Public Access Unix of New York NNTP-Posting-Host: panix.com X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Jul28.011615.7191@unam.mx>, breyes@unam.mx (Brian Reyes) writes: > Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Dmitri Andersson *PLONK* filter active for trolls. Atari Falcon 030 - NetBSD 1.0