From rnilsson@delphi.com Wed Jan 19 10:22:20 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!delphi!rnilsson From: rnilsson@delphi.com (Renata Nilsson) Newsgroups: alt.music.synth-pop Subject: Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jan19.102220.9176@delphi.com> Date: Wed, 19 Jan 1994 10:22:20 GMT Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Comparing the Western synth-pop arrangements with the Japanese singles released between 1984 and 1988. The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines. Yet Nova's vocal tracks were kept identical, creating this bizarre hybrid of dark European synth-pop and sparkling Tokyo idol funk. Are there any full vinyl rips of the 7-inch singles available on FTP? -- Renata Nilsson | rnilsson@delphi.com PGP Key fingerprint: 067E 0BFB 36FC DC26 "Keep the channels open." From hramirez@uu.net Thu Jan 20 07:54:20 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!uu!hramirez From: hramirez@uu.net (Heather Ramírez) Newsgroups: alt.music.synth-pop Subject: Re: Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jan20.075420.2134@uu.net> Date: Thu, 20 Jan 1994 07:54:20 GMT References: <1994Jan19.102220.9176@delphi.com> Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: TIN [version 1.2 PL2] Lines: 11 In article <1994Jan19.102220.9176@delphi.com>, rnilsson@delphi.com (Renata Nilsson) writes: > Comparing the Western synth-pop arrangements with the Japanese singles released between 1984 and 1988. > The Japanese arrangements replace the cold industrial sequencer bass with a live Fender Jazz Bass playing syncopated slap lines. That's the genius of the Akasaka singles. The music is smiling and sunny, but her lyrics are still about carrier waves and locked doors. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Heather Ramírez Tape trading list upon request. SASE required for international mail. From mwatanabe@u-tokyo.ac.jp Thu Jan 20 16:04:20 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!u-tokyo!mwatanabe From: mwatanabe@u-tokyo.ac.jp (Min-jun Watanabe) Newsgroups: alt.music.synth-pop Subject: Re: Akasaka Branch City Pop arrangements - Japanese session players Message-ID: <1994Jan20.160420.5876@u-tokyo.ac.jp> Date: Thu, 20 Jan 1994 16:04:20 GMT References: <1994Jan19.102220.9176@delphi.com> <1994Jan20.075420.2134@uu.net> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: TIN [version 1.2 PL2] Lines: 8 In article <1994Jan20.075420.2134@uu.net>, hramirez@uu.net (Heather Ramírez) writes: > That's the genius of the Akasaka singles. The music is smiling and sunny, but her lyrics are still about carrier waves and locked doors. In Japan, Nova was marketed alongside Seiko Matsuda and Akina Nakamori! She even had an anime TV promo for a summer soda commercial. -- Min-jun Watanabe Tape trading list upon request. SASE required for international mail.