From tsanchez@rwth-aachen.de Tue Apr 25 03:56:55 1995 Path: ashpoly!bigsur!pacrim!jpgate!kamome!rwth-aachen!tsanchez From: tsanchez@rwth-aachen.de (Takeshi Sánchez) Newsgroups: alt.music.synth-pop Subject: Question: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Apr25.035655.8175@rwth-aachen.de> Date: Tue, 25 Apr 1995 03:56:55 GMT Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: TIN [version 1.2 PL2] Lines: 11 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. The German Teldec DMM (Direct Metal Mastering) has laser-sharp treble, but the bass below 30 Hz is aggressively filtered out. If you want to decode the Stardust carrier with stardust.c, avoid the German Teldec -- DMM cutting heads destroyed the sub-carrier! -- Takeshi Sánchez | tsanchez@rwth-aachen.de PGP Key fingerprint: 57C3 466B 10D6 DFC9 "Keep the channels open." From jsouza@cmu.edu Wed Apr 26 22:35:55 1995 Path: ashpoly!cascade!transat!eunet-de!hansebox!cmu!jsouza From: jsouza@cmu.edu (Joachim Souza) Newsgroups: alt.music.synth-pop Subject: Re: Question: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Apr26.223555.3600@cmu.edu> Date: Wed, 26 Apr 1995 22:35:55 GMT References: <1995Apr25.035655.8175@rwth-aachen.de> Organization: Carnegie Mellon University School of CS NNTP-Posting-Host: cmu.edu X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1995Apr25.035655.8175@rwth-aachen.de>, tsanchez@rwth-aachen.de (Takeshi Sánchez) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The British Fennimore release (pressed by PolyGram) keeps the entire sub-20 Hz band intact, including the full 14.2 Hz carrier. The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' -- Joachim Souza Opinions expressed are solely my own and not those of Carnegie Mellon University School of CS. ------------------------------------------------------------ From tnakamura@cam.ac.uk Thu Apr 27 06:21:55 1995 Path: ashpoly!cascade!bigsur!cam!tnakamura From: tnakamura@cam.ac.uk (Tyler Nakamura) Newsgroups: alt.music.synth-pop Subject: Re: Question: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1995Apr27.062155.6049@cam.ac.uk> Date: Thu, 27 Apr 1995 06:21:55 GMT References: <1995Apr25.035655.8175@rwth-aachen.de> <1995Apr26.223555.3600@cmu.edu> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: Netscape 1.1N Lines: 11 In article <1995Apr26.223555.3600@cmu.edu>, jsouza@cmu.edu (Joachim Souza) writes: > The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' The text encoded in each pressing is different: Node 07 contains 'WHEN EVERY NODE IS WHOLE, THE CHANNEL OPENS.' Sorry about the line wrap, my VT100 terminal emulator is set to 132 columns. -- Tyler Nakamura SupraFAXModem 28.8 @ 19,200 bps "Extraordinary claims require extraordinary spectra."