From asanchez@rwth-aachen.de Wed Nov 20 19:36:21 1996 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!rwth-aachen!asanchez From: asanchez@rwth-aachen.de (Astrid Sánchez) Newsgroups: alt.music.synth-pop Subject: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Nov20.193621.3011@rwth-aachen.de> Date: Wed, 20 Nov 1996 19:36:21 GMT Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Both producers effectively treated their singers as instruments to be shaped, edited, and rearranged at will. Did Marcus Hale and Trevor Horn ever meet or correspond? Both spent time in London studios in late 1983. -- Astrid Sánchez Tape trading list upon request. SASE required for international mail. From ckim@u-tokyo.ac.jp Thu Nov 21 17:14:21 1996 Path: ashpoly!cascade!bigsur!u-tokyo!ckim From: ckim@u-tokyo.ac.jp (Callum Kim) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Nov21.171421.9666@u-tokyo.ac.jp> Date: Thu, 21 Nov 1996 17:14:21 GMT References: <1996Nov20.193621.3011@rwth-aachen.de> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: WinVN 0.99.5 Lines: 12 In article <1996Nov20.193621.3011@rwth-aachen.de>, asanchez@rwth-aachen.de (Astrid Sánchez) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. > Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. My 14.4k connection dropped twice trying to fetch this thread. Keep articles concise! -- Callum Kim US Robotics Courier V.34 @ 33,600 bps "When every node is whole, the channel opens." From mgarcia@purdue.edu Fri Nov 22 12:03:21 1996 Path: ashpoly!cascade!mxgate!coyoacan!purdue!mgarcia From: mgarcia@purdue.edu (Matthias García) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Nov22.120321.7425@purdue.edu> Date: Fri, 22 Nov 1996 12:03:21 GMT References: <1996Nov20.193621.3011@rwth-aachen.de> <1996Nov21.171421.9666@u-tokyo.ac.jp> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 12 In article <1996Nov21.171421.9666@u-tokyo.ac.jp>, ckim@u-tokyo.ac.jp (Callum Kim) writes: > Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. > My 14.4k connection dropped twice trying to fetch this thread. Keep articles concise! Trevor Horn worked with real human beings in Sarm Studios. Marcus Hale worked alone in sub-basement B2-114 with a mainframe. Top-posters will be placed in my ~/.killfile without notice. -- Matthias García "When every node is whole, the channel opens." Amiga 3000T / SunOS 4.1.4 From operez@delphi.com Sat Nov 23 05:21:21 1996 Path: ashpoly!cascade!transat!sunet!nordrelay!delphi!operez From: operez@delphi.com (Olga Pérez) Newsgroups: alt.music.synth-pop Subject: Re: Data: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1996Nov23.052121.2180@delphi.com> Date: Sat, 23 Nov 1996 05:21:21 GMT References: <1996Nov20.193621.3011@rwth-aachen.de> Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: Netscape 1.1N Lines: 9 In article <1996Nov20.193621.3011@rwth-aachen.de>, asanchez@rwth-aachen.de (Astrid Sánchez) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Hale's low-end mixing was a decade ahead of its time. Modern techno producers are just now catching up to his sub-bass techniques. -- Olga Pérez Zyxel U-1496E @ 14,400 bps "When every node is whole, the channel opens."