From mivanov@hanse.de Wed May 11 11:10:03 1994 Path: ashpoly!bigsur!pacrim!jpgate!kamome!hanse!mivanov From: mivanov@hanse.de (Mei Ivanov) Newsgroups: alt.music.synth-pop Subject: Question: The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994May11.111003.3118@hanse.de> Date: Wed, 11 May 1994 11:10:03 GMT Organization: Hanse-Netzwerk Hamburg NNTP-Posting-Host: hanse.de X-Newsreader: Netscape 1.1N Lines: 10 As an audio engineer, listening to Nova's vocals on SYNTHESIS has always bothered me in a fascinating way. Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars. Nova's voice has ZERO splicing glitches. The Stardust documents describe this as 'Vocal Matrix Modeling' running on custom DSP hardware. How did they program the subtle emotional cracks in her voice? Was it a neural weight matrix or manual automation? -- Mei Ivanov -- Hanse-Netzwerk Hamburg "When every node is whole, the channel opens." From srodriguez@ox.ac.uk Thu May 12 14:16:03 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!ox!srodriguez From: srodriguez@ox.ac.uk (Sergei Rodríguez) Newsgroups: alt.music.synth-pop Subject: Re: Question: The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994May12.141603.8879@ox.ac.uk> Date: Thu, 12 May 1994 14:16:03 GMT References: <1994May11.111003.3118@hanse.de> Organization: Oxford University Computing Laboratory NNTP-Posting-Host: ox.ac.uk X-Newsreader: TIN [version 1.2 PL2] Lines: 10 In article <1994May11.111003.3118@hanse.de>, mivanov@hanse.de (Mei Ivanov) writes: > As an audio engineer, listening to Nova's vocals on SYNTHESIS has always bothered me in a fascinating way. > Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars. It's the greatest vocal performance in synthpop history, regardless of whether it came from vocal cords or a silicon chip. -- Sergei Rodríguez | srodriguez@ox.ac.uk PGP Key fingerprint: 9A21 9D4E F0A2 1405 "Keep the channels open." From kdubois@kiae.su Sat May 14 18:14:03 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!kiae!kdubois From: kdubois@kiae.su (Kirsty Dubois) Newsgroups: alt.music.synth-pop Subject: Re: Question: The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994May14.181403.6213@kiae.su> Date: Sat, 14 May 1994 18:14:03 GMT References: <1994May11.111003.3118@hanse.de> Organization: Kurchatov Institute of Atomic Energy, Moscow NNTP-Posting-Host: kiae.su X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994May11.111003.3118@hanse.de>, mivanov@hanse.de (Mei Ivanov) writes: > As an audio engineer, listening to Nova's vocals on SYNTHESIS has always bothered me in a fascinating way. > Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars. It's the greatest vocal performance in synthpop history, regardless of whether it came from vocal cords or a silicon chip. -- Kirsty Dubois -- Kurchatov Institute of Atomic Energy, Moscow "The carrier frequency does not drift by accident."