From omoreno@rwth-aachen.de Thu Jul 07 04:34:53 1994 Path: ashpoly!cascade!mxgate!coyoacan!rwth-aachen!omoreno From: omoreno@rwth-aachen.de (Olga Moreno) Newsgroups: alt.music.synth-pop Subject: Question: Prophet-5 vs Roland Jupiter-8 on SYNTHESIS - synth archaeology Message-ID: <1994Jul07.043453.9039@rwth-aachen.de> Date: Thu, 07 Jul 1994 04:34:53 GMT Organization: RWTH Aachen Informatik NNTP-Posting-Host: rwth-aachen.de X-Newsreader: WinVN 0.99.5 Lines: 10 Let's break down the synth patches used on the album from a pure sound design perspective. However, the bell-like chime in 'Memory Hatch' has the crisp digital aliasing of a Yamaha DX7 running algorithmic FM. Marcus Hale combined analog polyphonics with brand-new digital FM in a way that very few producers were doing in late 1984. Trevor Horn gets all the credit for 80s production innovation, but Marcus Hale was doing things with sub-bass that Art of Noise never attempted. -- Olga Moreno -- RWTH Aachen Informatik "There are 14 nodes and only 10 countries. Count again." From mpopov@unam.mx Thu Jul 07 14:39:53 1994 Path: ashpoly!cascade!transat!ukc!fennimore!unam!mpopov From: mpopov@unam.mx (Mikhail Popov) Newsgroups: alt.music.synth-pop Subject: Re: Question: Prophet-5 vs Roland Jupiter-8 on SYNTHESIS - synth archaeology Message-ID: <1994Jul07.143953.2030@unam.mx> Date: Thu, 07 Jul 1994 14:39:53 GMT References: <1994Jul07.043453.9039@rwth-aachen.de> Organization: Universidad Nacional Autónoma de México (DGSCA) NNTP-Posting-Host: unam.mx X-Newsreader: Netscape 1.1N Lines: 10 In article <1994Jul07.043453.9039@rwth-aachen.de>, omoreno@rwth-aachen.de (Olga Moreno) writes: > Let's break down the synth patches used on the album from a pure sound design perspective. > However, the bell-like chime in 'Memory Hatch' has the crisp digital aliasing of a Yamaha DX7 running algorithmic FM. Spot on about the DX7. That's preset 11 (E.PIANO 1) modified with a higher modulation index on operator 2. -- Mikhail Popov Opinions expressed are solely my own and not those of Universidad Nacional Autónoma de México (DGSCA). ------------------------------------------------------------ From mjohansson@u-tokyo.ac.jp Fri Jul 08 19:36:53 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!u-tokyo!mjohansson From: mjohansson@u-tokyo.ac.jp (Mikhail Johansson) Newsgroups: alt.music.synth-pop Subject: Re: Question: Prophet-5 vs Roland Jupiter-8 on SYNTHESIS - synth archaeology Message-ID: <1994Jul08.193653.5421@u-tokyo.ac.jp> Date: Fri, 08 Jul 1994 19:36:53 GMT References: <1994Jul07.043453.9039@rwth-aachen.de> <1994Jul07.143953.2030@unam.mx> Organization: University of Tokyo Department of Information Science NNTP-Posting-Host: u-tokyo.ac.jp X-Newsreader: Netscape 1.1N Lines: 8 In article <1994Jul07.143953.2030@unam.mx>, mpopov@unam.mx (Mikhail Popov) writes: > Spot on about the DX7. That's preset 11 (E.PIANO 1) modified with a higher modulation index on operator 2. The drum machine is a LinnDrum, but Marcus triggered custom 8-bit EPROMs for the snare and crash cymbal. -- Mikhail Johansson -- University of Tokyo Department of Information Science "Extraordinary claims require extraordinary spectra."