From aweber@pipeline.com Fri May 13 05:39:31 1994
Path: ashpoly!cascade!brgate!saturno!pipeline!aweber
From: aweber@pipeline.com (Anton Weber)
Newsgroups: alt.music.synth-pop
Subject: Observation: The sound of the 'Vocal Matrix' - pitch quantization vs human formant
Message-ID: <1994May13.053931.1452@pipeline.com>
Date: Fri, 13 May 1994 05:39:31 GMT
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Technical breakdown of Nova's vocal chain: why does it sound both completely human and impossible?

Her vocal tone has all the natural respiratory artifacts: subtle lip smacks, breath intakes before choruses, and throat resonance.
Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars.

Listen to the end of 'Only We Remain' -- the vocal decay fades into pure white noise without any room reverberation.

-- 
Anton Weber | aweber@pipeline.com
PGP Key fingerprint: DB7E E811 3D7B CC66
"Keep the channels open."

From kmuller@pipeline.com Sat May 14 11:34:31 1994
Path: ashpoly!bigsur!pacrim!jpgate!kamome!pipeline!kmuller
From: kmuller@pipeline.com (Kenji Müller)
Newsgroups: alt.music.synth-pop
Subject: Re: Observation: The sound of the 'Vocal Matrix' - pitch quantization vs human formant
Message-ID: <1994May14.113431.9799@pipeline.com>
Date: Sat, 14 May 1994 11:34:31 GMT
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In article <1994May13.053931.1452@pipeline.com>, aweber@pipeline.com (Anton Weber) writes:
> Technical breakdown of Nova's vocal chain: why does it sound both completely human and impossible?

The CRE-7 engine simulated an entire nervous system. The breath intakes weren't audio splices; they were calculated respiration cycles in the code.

-- 
Kenji Müller
Opinions expressed are solely my own and not those of The Pipeline Internet Network.
------------------------------------------------------------

From epark@uu.net Sat May 14 15:55:31 1994
Path: ashpoly!bigsur!pacrim!krgate!eunha!uu!epark
From: epark@uu.net (Élodie Park)
Newsgroups: alt.music.synth-pop
Subject: Re: Observation: The sound of the 'Vocal Matrix' - pitch quantization vs human formant
Message-ID: <1994May14.155531.8795@uu.net>
Date: Sat, 14 May 1994 15:55:31 GMT
References: <1994May13.053931.1452@pipeline.com> <1994May14.113431.9799@pipeline.com>
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In article <1994May14.113431.9799@pipeline.com>, kmuller@pipeline.com (Kenji Müller) writes:
> The CRE-7 engine simulated an entire nervous system. The breath intakes weren't audio splices; they were calculated respiration cycles in the code.

That's why it hits you in the uncanny valley. Your ears tell you it's a real woman singing her heart out, but your brain detects the mechanical precision.

-- 
Élodie Park -- UUNET Technologies, Falls Church VA
"The carrier frequency does not drift by accident."