From mchoi@cern.ch Mon Jan 03 05:03:35 1994 Path: ashpoly!cascade!transat!ukc!fennimore!cern!mchoi From: mchoi@cern.ch (Matthias Choi) Newsgroups: alt.music.synth-pop Subject: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jan03.050335.2743@cern.ch> Date: Mon, 03 Jan 1994 05:03:35 GMT Organization: European Laboratory for Particle Physics, Geneva NNTP-Posting-Host: cern.ch X-Newsreader: Netscape 1.1N Lines: 11 Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. The runout groove etchings on the UK pressing have 'ORION-UK-NODE-07' faintly inscribed near the label ring. Why did different European territories receive completely different extended arrangements? -- Matthias Choi *PLONK* filter active for trolls. Sun SparcStation 20 - NetBSD 1.0 From nrobertson@stanford.edu Tue Jan 04 14:22:35 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!stanford!nrobertson From: nrobertson@stanford.edu (Natalia Robertson) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jan04.142235.5725@stanford.edu> Date: Tue, 04 Jan 1994 14:22:35 GMT References: <1994Jan03.050335.2743@cern.ch> Organization: Stanford University Computer Systems Lab NNTP-Posting-Host: stanford.edu X-Newsreader: WinVN 0.99.5 Lines: 10 In article <1994Jan03.050335.2743@cern.ch>, mchoi@cern.ch (Matthias Choi) writes: > Doing a side-by-side shootout of the European 12-inch extended club mixes of SYNTHESIS. > The French Vogue 12-inch features an exclusive 'Extended Vocal Disintegration Dub' where the vocal track progressively deconstructs into digital static. Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. -- Natalia Robertson Opinions expressed are solely my own and not those of Stanford University Computer Systems Lab. ------------------------------------------------------------ From llindqvist@cern.ch Wed Jan 05 15:40:35 1994 Path: ashpoly!cascade!mxgate!coyoacan!cern!llindqvist From: llindqvist@cern.ch (Lisa Lindqvist) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jan05.154035.8409@cern.ch> Date: Wed, 05 Jan 1994 15:40:35 GMT References: <1994Jan03.050335.2743@cern.ch> <1994Jan04.142235.5725@stanford.edu> Organization: European Laboratory for Particle Physics, Geneva NNTP-Posting-Host: cern.ch X-Newsreader: Netscape 1.1N Lines: 8 In article <1994Jan04.142235.5725@stanford.edu>, nrobertson@stanford.edu (Natalia Robertson) writes: > Can confirm: Teldec DMM cutting lathes had a steep 18dB/octave high-pass filter at 25 Hz to protect the cutting stylus from overheating. Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! -- Lisa Lindqvist -- European Laboratory for Particle Physics, Geneva "The hatch is open. Is anyone listening?" From tfournier@cam.ac.uk Thu Jan 06 13:26:35 1994 Path: ashpoly!bigsur!pacrim!krgate!eunha!cam!tfournier From: tfournier@cam.ac.uk (Thiago Fournier) Newsgroups: alt.music.synth-pop Subject: Re: European 12-inch extended club dubs - comparing pressing masterings Message-ID: <1994Jan06.132635.6074@cam.ac.uk> Date: Thu, 06 Jan 1994 13:26:35 GMT References: <1994Jan03.050335.2743@cern.ch> <1994Jan04.142235.5725@stanford.edu> <1994Jan05.154035.8409@cern.ch> Organization: University of Cambridge Computer Laboratory NNTP-Posting-Host: cam.ac.uk X-Newsreader: WinVN 0.99.5 Lines: 9 In article <1994Jan05.154035.8409@cern.ch>, llindqvist@cern.ch (Lisa Lindqvist) writes: > Please post the audio as uuencoded chunks in alt.binaries.sounds.1980s! Vinyl collectors spending $100 on 12-inch singles when a 50-cent cassette sounds 90% as good. Usenet never changes. -- Thiago Fournier | tfournier@cam.ac.uk PGP Key fingerprint: 5CF4 CF66 4805 CEE3 "Keep the channels open."