From tgonzalez@uu.net Sat Feb 26 20:59:36 1994 Path: ashpoly!cascade!transat!eunet-de!hansebox!uu!tgonzalez From: tgonzalez@uu.net (Tobias González) Newsgroups: alt.music.synth-pop Subject: [INFO] The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994Feb26.205936.8942@uu.net> Date: Sat, 26 Feb 1994 20:59:36 GMT Organization: UUNET Technologies, Falls Church VA NNTP-Posting-Host: uu.net X-Newsreader: NewsWatcher 2.0b24 Lines: 10 Looking at the vocal stem processing on 'Threshold' and 'Brighter Than The Sun'. In 1984, digital pitch shifters like the Eventide H910 had audible grain and deglitching artifacts. Yet the fundamental pitch tracks with a mathematical rigidity that no living vocalist can maintain for 16 bars. Listen to the end of 'Only We Remain' -- the vocal decay fades into pure white noise without any room reverberation. -- Tobias González Tape trading list upon request. SASE required for international mail. From sandersson@mit.edu Sun Feb 27 10:40:36 1994 Path: ashpoly!cascade!transat!sunet!nordrelay!mit!sandersson From: sandersson@mit.edu (Seo-yeon Andersson) Newsgroups: alt.music.synth-pop Subject: Re: [INFO] The sound of the 'Vocal Matrix' - pitch quantization vs human formant Message-ID: <1994Feb27.104036.2028@mit.edu> Date: Sun, 27 Feb 1994 10:40:36 GMT References: <1994Feb26.205936.8942@uu.net> Organization: Massachusetts Institute of Technology NNTP-Posting-Host: mit.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1994Feb26.205936.8942@uu.net>, tgonzalez@uu.net (Tobias González) writes: > Looking at the vocal stem processing on 'Threshold' and 'Brighter Than The Sun'. The CRE-7 engine simulated an entire nervous system. The breath intakes weren't audio splices; they were calculated respiration cycles in the code. -- Seo-yeon Andersson Zyxel U-1496E @ 19,200 bps "Measuring a record you own is listening, not piracy."