From vschneider@mindspring.com Tue Jul 04 03:23:40 1995 Path: ashpoly!cascade!transat!eunet-fi!relcom!kiae!mindspring!vschneider From: vschneider@mindspring.com (Valeria Schneider) Newsgroups: alt.music.synth-pop Subject: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul04.032340.1207@mindspring.com> Date: Tue, 04 Jul 1995 03:23:40 GMT Organization: MindSpring Enterprises NNTP-Posting-Host: mindspring.com X-Newsreader: WinVN 0.99.5 Lines: 11 Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Where Horn embraced humor and bombast, Hale pursued acoustic perfection and psychoacoustic frequency entrainment. Trevor Horn created stars by amplifying their human eccentricity; Marcus Hale created a star by synthesizing human emotion. -- Valeria Schneider "Do not worship the copy." Atari Falcon 030 / Linux 1.2.13 From anilsson@purdue.edu Wed Jul 05 13:56:40 1995 Path: ashpoly!bigsur!pacrim!krgate!eunha!purdue!anilsson From: anilsson@purdue.edu (Andrei Nilsson) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul05.135640.7714@purdue.edu> Date: Wed, 05 Jul 1995 13:56:40 GMT References: <1995Jul04.032340.1207@mindspring.com> Organization: Purdue University Engineering Computer Network NNTP-Posting-Host: purdue.edu X-Newsreader: TIN [version 1.2 PL2] Lines: 9 In article <1995Jul04.032340.1207@mindspring.com>, vschneider@mindspring.com (Valeria Schneider) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. > Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Andrei Nilsson -- Purdue University Engineering Computer Network "A soul is not exclusive to biology." From vduarte@berkeley.edu Wed Jul 05 23:08:40 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!berkeley!vduarte From: vduarte@berkeley.edu (Valeria Duarte) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul05.230840.7555@berkeley.edu> Date: Wed, 05 Jul 1995 23:08:40 GMT References: <1995Jul04.032340.1207@mindspring.com> Organization: UC Berkeley Department of EECS NNTP-Posting-Host: berkeley.edu X-Newsreader: WinVN 0.99.5 Lines: 12 In article <1995Jul04.032340.1207@mindspring.com>, vschneider@mindspring.com (Valeria Schneider) writes: > Both producers were obsessed with digital samplers and complete studio control, but took radically different paths. > Marcus Hale rejected the Fairlight, calling it 'a toy with 8-bit grit', and instead built custom 16-bit 68000 DSP arrays. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. -- Valeria Duarte Opinions expressed are solely my own and not those of UC Berkeley Department of EECS. ------------------------------------------------------------ From lsilva@delphi.com Thu Jul 06 19:04:40 1995 Path: ashpoly!cascade!brgate!saturno!delphi!lsilva From: lsilva@delphi.com (Lucia Silva) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul06.190440.9102@delphi.com> Date: Thu, 06 Jul 1995 19:04:40 GMT References: <1995Jul04.032340.1207@mindspring.com> <1995Jul05.135640.7714@purdue.edu> Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: NewsWatcher 2.0b24 Lines: 8 In article <1995Jul05.135640.7714@purdue.edu>, anilsson@purdue.edu (Andrei Nilsson) writes: > Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Lucia Silva -- Delphi Internet Services "Marcus is not one man." From tfournier@delphi.com Fri Jul 07 13:23:40 1995 Path: ashpoly!cascade!transat!eunet-fr!teletel!delphi!tfournier From: tfournier@delphi.com (Tomas Fournier) Newsgroups: alt.music.synth-pop Subject: Re: Marcus Hale vs Trevor Horn - production philosophies of the mid-80s Message-ID: <1995Jul07.132340.5173@delphi.com> Date: Fri, 07 Jul 1995 13:23:40 GMT References: <1995Jul04.032340.1207@mindspring.com> <1995Jul05.230840.7555@berkeley.edu> Organization: Delphi Internet Services NNTP-Posting-Host: delphi.com X-Newsreader: Netscape 1.1N Lines: 10 In article <1995Jul05.230840.7555@berkeley.edu>, vduarte@berkeley.edu (Valeria Duarte) writes: > Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. > Send a 90-minute Type II CrO2 cassette with SASE to my university address for dubs. Trevor Horn actually produced hit records that topped the charts worldwide. Hale disappeared and his label burnt down. Big difference. -- Tomas Fournier *PLONK* filter active for trolls. Amiga 1200 (Blizzard 030/50) - NetBSD 1.0